Beyond The Nanoworld
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Beyond the Nanoworld
Beyond the world of atoms, at scales smaller than the smallest nuclei, a new world comes into view, populated by an array of colorful elementary particles: strange and charmed quarks, muons and neutrinos, gluons and photons, and many others, all interacting in beautifully intricate patterns. Beyond the Nanoworld tells the story of how this new real
The Short Range Anti-Gravitational Force and the Hierarchically Stratified Space-Time Geometry in 12 Dimensions
Author: Christina Anne Knight
language: en
Publisher: Xlibris Corporation
Release Date: 2010-08-09
The fi eld of cosmology may be on the verge of a signifi cant paradigm shift, as there is an increasing awareness that scientists have missed something fundamental as they carry on in their quest for a theory of everything and a theory that unites general relativity with quantum mechanics. Knight proposes a new theory suggesting that the space-time geometry possesses a complex hierarchical structure that comprises twelve dimensionsnine space dimensions and three time. Furthermore, this structure is divided into three strata, each of which has its own four-dimensional structure and stratum-specifi c fundamental forces and parameterswith variations in the gravitational constant G, the speed of light c, and the Planck constant. Through the pages of this work, this theory is further explained.
Nanovision
Author: Colin Milburn
language: en
Publisher: Duke University Press
Release Date: 2008-10-28
The dawning era of nanotechnology promises to transform life as we know it. Visionary scientists are engineering materials and devices at the molecular scale that will forever alter the way we think about our technologies, our societies, our bodies, and even reality itself. Colin Milburn argues that the rise of nanotechnology involves a way of seeing that he calls “nanovision.” Trekking across the technoscapes and the dreamscapes of nanotechnology, he elaborates a theory of nanovision, demonstrating that nanotechnology has depended throughout its history on a symbiotic relationship with science fiction. Nanotechnology’s scientific theories, laboratory instruments, and research programs are inextricable from speculative visions, hyperbolic rhetoric, and fictional narratives. Milburn illuminates the practices of nanotechnology by examining an enormous range of cultural artifacts, including scientific research articles, engineering textbooks, laboratory images, popular science writings, novels, comic books, and blockbuster films. In so doing, he reveals connections between the technologies of visualization that have helped inaugurate nano research, such as the scanning tunneling microscope, and the prescient writings of Robert A. Heinlein, James Blish, and Theodore Sturgeon. He delves into fictive and scientific representations of “gray goo,” the nightmare scenario in which autonomous nanobots rise up in rebellion and wreak havoc on the world. He shows that nanoscience and “splatterpunk” novels share a violent aesthetic of disintegration: the biological body is breached and torn asunder only to be refabricated as an assemblage of self-organizing machines. Whether in high-tech laboratories or science fiction stories, nanovision deconstructs the human subject and galvanizes the invention of a posthuman future.