Zeca Afonso

Empire of Song

The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singing and dancing as the interplay of tropes of being local and/or European is enacted. In Empire of Song: Europe and Nation in the Eurovision Song Contest, contributors interpret the ESC as a musical “mediascape” and mega-event that has variously performed and performs the changing visions of the European project. Through the study of the cultural politics of the ESC, contributors discuss the ways in which music operates as a dynamic nexus for making national identities and European sensibilities, generating processes of “assimilation” or “integration,” and defining the celebrated notion of the “European citizen” in a global context. Scholars in the volume also explore the ways otherness and difference are produced, spectacularized, challenged, or even neglected in the televised musical realities of the ESC. For the contributing authors, song serves as a site for constituting Europe and the nation, on- and offstage. History and politics, as well as the constant production of European subjectivities, are sounded in song. The Eurovision song is a shifting realm where old and new states imagine their pasts, question their presents, and envision ideal futures in the New Europe. Essays in Empire of Song adopt theoretical and epistemological orientations in their exploration of “popular music” within ethnomusicology and critical musicology, questioning the idea of “Europe” and the “nation” through and in music, at a time when the European self appears more fragmented, if not entirely shattered. Bringing together ethnomusicology, music studies, history, social anthropology, feminist theory, linguistics, media ethnography, postcolonial theory, comparative literature, and philosophy, Empire of Song will interest students and scholars in a vast array of disciplines.

The Carnation Revolution

Lisbon, 25 April 1974. Over the course of a single day, Europe’s oldest fascist regime falls. On its fiftieth anniversary, this is the story of the revolution that changed Portugal’s fate. 25 April 1974, Lisbon. Over the course of a single day, Europe’s oldest fascist regime falls. On its 50th anniversary, this is the story of the revolution that changed Portugal forever. 'The Carnation Revolution reads like a political thriller.' The Times On the night of 24 April 1974, at five minutes to eleven, a Lisbon radio station broadcasts Portugal’s Eurovision entry. By 6.20 p.m. the next day, Europe’s oldest fascist regime has fallen. Hardly a shot has been fired. As citizens pour into the streets, they offer carnations to the revolutionary soldiers. For the first time in forty-eight years, Portugal is free. The Carnation Revolution winds through the streets of Lisbon as the revolution unfolds, revealing the myriad acts of ordinary and extraordinary resistance that made 25 April possible. It’s the story of daring escapes from five-storey prisons, soldiers disobeying their officers’ orders and simple acts of courage by thousands of citizens. It’s the story of how a group of young captains felled a globe-spanning empire. *** 'I feel like I’ve been waiting three decades for precisely this book.' Lara Pawson, author of This Is the Place to Be 'A brilliantly detailed and evocative account of a revolution unlike any other.' Helder Macedo, Emeritus Professor of Portuguese, King's College London 'A gripping account of an episode in European history that should be better known.' Catherine Fletcher, author of The Beauty and the Terror 'A thrilling and inspiring page-turner.' Richard Zimler, author of The Last Kabbalist of Lisbon

How it was