Treble Maker

Treble Maker

On Perfect Harmony, the ambitious competitors heat things up on stage and off... Cody Rivers is determined to be a rock star, but couch-surfing between bar shows gets old fast. Joining an a cappella group for a new singing competition show could be his last chance at real fame—unless the college boy from the heart of the country messes it up for him. Lucas Norwood is everything gothy, glittery Cody is not—conservative, clean-cut, and virginal. But when a twist in the show forces them together, even the sweetest songs get steamy as the attraction between them lights up the stage. Lucas wants to take it slow, but Cody’s singing a different tune—and this time it may be a love song...

The Home-maker

Early English Viols: Instruments, Makers and Music

Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.