The Writings Of Carlos Fuentes
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The Writings of Carlos Fuentes
Smitten by the modernity of Cervantes and Borges at an early age, Carlos Fuentes has written extensively on the cultures of the Americas and on those elsewhere in the world. His work includes over a dozen novels, among them the Death of Artemio Cruz, Christopher Unborn, The Old Gringo, and Terra Nostra, several volumes of short stories, numerous essays on literary, cultural, and political topics, and some theater. In this book, Raymond Leslie Williams traces the themes of history, culture, and identity in Fuentes' work, particularly in his complex, major novel Terra Nostra. He opens with a biography of Fuentes that links his works to his intellectual life, a life that has been centrally concerned with finding and defining the source and character of Latin American culture. The heart of the study is Williams' extensive reading of the novel Terra Nostra, in which Fuentes explores the presence of Spanish culture and history in Latin America. Williams concludes with a look at how Fuentes' other fiction relates to Terra Nostra, including Fuentes' own division of his work into fourteen cycles that he calls "La Edad del Tiempo," and with an interview in which Fuentes discusses his concept of this cyclical division. Williams' analysis maps a terrain often left unexplored - the "Spanishness" of Latin American culture - and offers the most in-depth study currently available on Latin America's most prolific living novelist. It will be vital reading for all students of Latin American literature.
Myself with Others
In Myself with Others, Fuentes has assembled essays reflecting three of the great elements of his work: autobiography, love of literature, and politics. They include his reflections on his beginning as a writer, his celebrated Harvard University commencement address, and his trenchant examinations of Cervantes, Gabriel Garcia Marquez, and Borges.
The Death of Artemio Cruz
A ruthless Mexican tycoon surveys his past from his deathbed as he navigates between dreams, memories, and reality in this literary classic. “With virile, honest writing in a stream of ebbing consciousness, the author of Where the Air is Clear has mastered an old theme and created a strong novel.” —Kirkus Reviews As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’s masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.