The Story Of Modern Architecture
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The Story of Contemporary Architecture
***SPECIAL PRICE down from $35.00 while stocks last*** Focusing on contemporary architecture, this book gives readers the tools they need to grasp the architectural language and building forms of today's architecture. Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features contemporary architecture's most important architects and buildings, interior and exterior photographs, detailed images, drawings and plans. From post- and neo-modernist to deconstructivist and contextualist, contemporary architecture embraces a wide range of approaches. It is unified by its accomplishment of technical challenges, innovative use of resources and space, and insistence on forward-looking design. Some of the most renowned contemporary architects exemplifying these principals are Daniel Libeskind, Zaha Hahid, Rem Koolhaas, Norman Foster, and Frank Gehry. AUTHOR: Paolo Favole is a freelance writer based in Milan, Italy. He has written numerous books on architecture. 200 colour
The Historiography of Modern Architecture
The history of modern architecture as constructed by historians and key texts. Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history—of buildings to books—has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.