The Silence Factory Ending Explained
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Bunny
“The Secret History meets Jennifer’s Body. This brilliant, sharp, weird book skewers the heightened rhetoric of obsessive female friendship in a way I don’t think I've ever seen before. I loved it and I couldn’t put it down.” - Kristen Roupenian, author of You Know You Want This: "Cat Person" and Other Stories The Vegetarian meets Heathers in this darkly funny, seductively strange novel about a lonely graduate student drawn into a clique of rich girls who seem to move and speak as one. "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more different from the other members of her master's program at New England's elite Warren University. A self-conscious scholarship student who prefers the company of her imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and are often found entangled in a group hug so tight it seems their bodies might become permanently fused. But everything changes when Samantha receives an invitation to the Bunnies' exclusive monthly "Smut Salon," and finds herself drawn as if by magic to their front door--ditching her only friend, Ava, an audacious art school dropout, in the process. As Samantha plunges deeper and deeper into Bunny world, and starts to take part in the off-campus "Workshop" where they devise their monstrous creations, the edges of reality begin to blur, and her friendships with Ava and the Bunnies are brought into deadly collision. A spellbinding, down-the-rabbit-hole tale about loneliness and belonging, creativity and agency, and female friendship and desire, Bunny is the dazzlingly original second book from an author with tremendous "insight into the often-baffling complexities of being a woman" (The Atlantic).
Hotel Silence
Author: Auður Ava Ólafsdóttir
language: en
Publisher: Pushkin Press
Release Date: 2018-02-22
A funny, wistful and utterly beguiling novel about a man whose life is falling apart, and how he learns to put it back together JÓNAS FEELS LIKE HIS LIFE IS OVER. His wife has left him, his mother is slipping deeper into dementia, and his daughter is no longer who he thought. So he comes up with a foolproof plan: to buy a one-way ticket to a chaotic, war-ravaged country and put an end to it all. But on arriving at Hotel Silence, he finds his plans - and his anonymity - begin to dissolve under the foreign sun. Now there are other things that need his attention, like the crumbling hotel itself, the staff who run it, and his unusual fellow guests. And soon it becomes clear that Jónas must decide whether he really wants to leave it all behind; or give life a second chance, albeit down a must unexpected path... Auður Ava Ólafsdóttir is an Icelandic prize-winning novelist, playwright and a poet. She is the author of five novels, a collection of poetry and four plays that have been performed at the National Theatre in Iceland and at the Reykjavik City Theatre. She also writes the lyrics for the Icelandic performance pop band Milkywhale. Auður Ava's novels have been translated into over 25 languages and among them are The Greenhouse and Butterflies in November. Her new novel, Hotel Silence, won the Icelandic Literary Prize 2016 and was chosen Best Icelandic Novel in 2016 by booksellers in Iceland. Auður Ava lives in Reykjavik.
The Cambridge Introduction to Shakespeare
Author: Emma Smith
language: en
Publisher: Cambridge University Press
Release Date: 2007-03-08
This lively and innovative introduction to Shakespeare promotes active engagement with the plays, rather than recycling factual information. Covering a range of texts, it is divided into seven subject-based chapters: Character; Performance; Texts; Language; Structure; Sources and History, and it does not assume any prior knowledge. Instead, it develops ways of thinking and provides the reader with resources for independent research through the 'Where next?' sections at the end of each chapter. The book draws on scholarship without being overwhelmed by it, and unlike other introductory guides to Shakespeare it emphasizes that there is space for new and fresh thinking by students and readers, even on the most-studied and familiar plays.