The Opera Guide

The Good Opera Guide

Here is an excerpt of what The Good Opera Guide has to say about Cilea & rsquo;s Adriana Lecouvreur : & ldquo;The one about the star of stage and screen whose rival sends her a bouquet of poison gas violets. She sniffs it: snuffs it. & rdquo; The Good Opera Guide is not only for regular operagoers but also for people who are new to the world of opera, or indeed people who want to bluff their way through a performance! It is written with humor and is entertaining as well as informative. Where else would you find a & ldquo;dagger count & rdquo; for La Gioconda, and have Hansel and Gretel categorized as a & ldquo;Gingerbread Opera & rdquo;? From Adriana Lecouvreur to Mozart & rsquo;s Die Zauberfl & ouml;te, for each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are & ldquo;worth looking out for, & rdquo; & ldquo;really good, & rdquo; or, occasionally, & ldquo;stunning. & rdquo; He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma, and Sir Denis has no qualms about voicing his opinion. The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as & ldquo;Operatica, & rdquo; or the essential elements of opera, from the proper place and style of the audience & rsquo;s applause (and boos) to the use of subtitles. & ldquo;The first guide to take the sensible decision of separating comments on the music (serious and helpful) from descriptions of the plot (invariably flippant and often funny). & rdquo; & mdash; The Sunday Telegraph Sir Denis Forman (1917 & ndash;2013) was for many years chairman and chief executive of Granada Television. He was also deputy chairman of the Royal Opera House for nine years. Other works include The Good Wagner Guide.

The opera guide

The Viking Opera Guide

The book, which was published early this year and is available unbundled from the CD-ROM for $69.95, contains information on more than 800 composers and examines some 1,500 operas in detail. Each composer's musical career is outlined, with an assessment of his or her overall contribution to opera. Opera entries include cast lists and orchestral forces, a commentary on the background of the work, a synopsis of the plot, and a musical analysis identifying musical highlights and points of interest. Recording and edition information is included. For those who don't like to turn pages, prefer to read from the screen, or just like the click-click of the mouse, the CD-ROM provides computer access via Windows to the information and pictures (small black and whites) of the book. The CD-ROM holds some enhancements: notably, three hours of music excerpts (unheard by this reviewer who lacks the needed 16-bit sound card; some, according to the press release, are as long as three to five minutes). Annotation copyright by Book News, Inc., Portland, OR