The Last Bohemia
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The Last Bohemia
A firsthand account of the swift transformation of Williamsburg, from factory backwater to artists' district to trendy hub and high-rise colony Williamsburg, Brooklyn, is now so synonymous with hipster culture and the very idea of urban revitalization—so well-known from Chicago to Cambodia as the playground for the game of ironized status-seeking and lifestyle one-upmanship—that it's easy to forget how just a few years ago it was a very different neighborhood: a spread of factories, mean streets and ratty apartments that the rest of New York City feared and everyone but artists with nowhere else to go left alone. Robert Anasi hasn't forgotten. He moved to a $300-a-month apartment in Williamsburg in 1994, and watched as the area went through a series of surreal transformations: the warehouses became lofts, secret cocaine bars became sylized absinthe parlors, barrooms became stage sets for inde-rock careers and rents rose and rose—until the local artists found that their ideal of personal creativity had served the aims of global commerce, and that their neighborhood now belonged to someone else. Tight, passionate, and provocative, The Last Bohemia is at once a celebration of the fever dream of bohemia, a lament for what Williamsburg has become and a cautionary tale about the lurching transformations of city neighborhoods throughout the United States.
The Last Bohemian
Author: Lance Pettitt
language: en
Publisher: Syracuse University Press
Release Date: 2023-06-12
The Last Bohemian offers the first extended, critical evaluation of all of Brian Desmond Hurst’s films, reappraising the reputation of a director who was born in 1895 in Belfast and died in Belgravia, London, in 1986. Pettitt skillfully weaves together film analyses, biography, and cultural history with the aim of bringing greater attention to Hurst’s qualities as a director and exploring his significance within Irish film and British cinema history between the 1930s and the 1960s. The director of Dangerous Moonlight (1941), Theirs Is the Glory (1946), and his best-known Scrooge (1951) made most of his films for British studios but developed an exile’s attachment to Ireland. How in the early twenty-first century has Hurst’s career been reclaimed and recognized, and by whom? Why in 2012 was Hurst’s name given to one of the new Titanic Studios in Belfast? What were his qualities as a filmmaker? To whose national cinema history, if any, does Hurst belong? Richly illustrated with film stills and other visual material from public archives, The Last Bohemian addresses these questions and in doing so makes a significant contribution to British and Irish cinema studies.
Harry Kemp, the Last Bohemian
Author: William Brevda
language: en
Publisher: Bucknell University Press
Release Date: 1986
The first critical biography of the American writer. The Tramp Poet Harry Kemp (1883-1960). His creative works included poetry, drama, fiction, and the best-selling autobiography in prose, Tramping on Life.