The House Of Impossible Beauties
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The House of Impossible Beauties
NAMED A MOST ANTICIPATED BOOK OF 2018 BY Buzzfeed • Esquire • Bustle • The Millions • The Wall Street Journal • Entertainment Weekly • Nylon • Elle • Dazed • The Irish Times 'Cassara has written a heartbreaking tale of gay men struggling to survive in a world of clubbing and drugs. It is also an unexpected love story.' Graham Norton, Top Five Reads of 2018 'Cassaras’s propulsive and profound first novel, finding one’s home in the world – particularly in a subculture plagued by fear and intolerance from society – comes with tragedy as well as extraordinary personal freedom.' Esquire A gritty and gorgeous debut inspired by the real House of Xtravaganza made famous by the seminal documentary Paris Is Burning New York City, 1980 Nowhere is the city's glamour and energy better reflected than in the burgeoning Harlem dance scene. Angel Just seventeen years old and burnt by her traumatic past, she wants to create a family for those without. Hector When Angel falls in love with him, the two decide to set up the House of Xtravaganza, the first ever all-Latino house on the dance circuit. The Xtravaganzas They are joined by Venus, Juanito and Daniel, all with their own devastating stories to tell, each determined to survive. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a gritty and gorgeous debut - a tragic story of love, family, and the dynamism of the human spirit.
The House of Impossible Beauties
NAMED A MOST ANTICIPATED BOOK OF 2018 BY Buzzfeed • The Wall Street Journal • The Millions • Southern Living • Bustle • Esquire • Entertainment Weekly • Nylon “Cassaras’s propulsive and profound first novel, finding one’s home in the world—particularly in a subculture plagued by fear and intolerance from society—comes with tragedy as well as extraordinary personal freedom.” -- Esquire A gritty and gorgeous debut that follows a cast of gay and transgender club kids navigating the Harlem ball scene of the 1980s and ’90s, inspired by the real House of Xtravaganza made famous by the seminal documentary Paris Is Burning It’s 1980 in New York City, and nowhere is the city’s glamour and energy better reflected than in the burgeoning Harlem ball scene, where seventeen-year-old Angel first comes into her own. Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone. As mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences. Told in a voice that brims with wit, rage, tenderness, and fierce yearning, The House of Impossible Beauties is a tragic story of love, family, and the dynamism of the human spirit.
Latinx Revolutionary Horizons
A necessary reconceptualization of Latinx identity, literature, and politics In Latinx Revolutionary Horizons, Renee Hudson theorizes a liberatory latinidad that is not yet here and conceptualizes a hemispheric project in which contemporary Latinx authors return to earlier moments of revolution. Rather than viewing Latinx as solely a category of identification, she argues for an expansive, historicized sense of the term that illuminates its political potential. Claiming the “x” in Latinx as marking the suspension and tension between how Latin American descended people identify and the future politics the “x” points us toward, Hudson contends that latinidad can signal a politics grounded in shared struggles and histories rather than merely a mode of identification. In this way, Latinx Revolutionary Horizons reads against current calls for cancelling latinidad based on its presumed anti-Black and anti-Indigenous framework. Instead, she examines the not-yet-here of latinidad to investigate the connection between the revolutionary history of the Americas and the creation of new genres in the hemisphere, from conversion narratives and dictator novels to neoslave narratives and testimonios. By comparing colonialisms, she charts a revolutionary genealogy across a range of movements such as the Mexican Revolution, the Filipino People Power Revolution, resistance to Trujillo in the Dominican Republic, and the Cuban Revolution. In pairing nineteenth-century authors alongside contemporary Latinx ones, Hudson examines a longer genealogy of Latinx resistance while expanding its literary canon, from the works of José Rizal and Martin Delany to those of Julia Alvarez, Jessica Hagedorn, and Leslie Marmon Silko. In imagining a truly transnational latinidad, Latinx Revolutionary Horizons thus rewrites our understanding of the nationalist formations that continue to characterize Latinx Studies.