The Fire Starters By Jan Carson
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Children's Children
"Everything leaves marks, even water..." Two children watching their parents argue inside a greenhouse, an armoured boy and his troubled sister, a human statue who's lost the ability to move and a floating six year old tethered to the backyard fence: the characters in Jan Carson's debut story collection are all falling apart in their own peculiar way. Absurdist, allegorical and disturbingly convincing, these characters are both wrongdoers and victims of another's wrongdoing. They are people marked by life yet struggling to forge some kind of future. Mixing Carson's distinctive magic realist voice with a more traditional brand of Irish literary fiction, Children's Children explores the concept of legacy and the influence of one generation upon the next. These are darkly humorous and brilliantly illuminative stories which are both heartbreaking and hopeful and gently critical of post-conflict Northern Ireland. Stories from this collection have appeared in Banshee, The Honest Ulsterman, Storm Cellar and other journals and have been longlisted for the Sean O'Faolain Short Story Prize and nominated for the Pushcart Prize.
Say Nothing
NEW YORK TIMES BESTSELLER • NOW AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century • A Kirkus Reviews Best Nonfiction Book of the Century • A Los Angeles Times Best Nonfiction Book of the Last 30 Years "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel. . . . Keefe is . . . a master of narrative nonfiction. . . . An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.
Eureka Street
Romantic Ireland is definitely dead and gone. With the exhilarating Eureka Street, Robert McLiam Wilson cheerfully and obscenely sends it to its grave. Jake Jackson, his thoughtful anti-hero, finds Belfast's tragedies are built on comedy: Catholics and Protestants so intent on declaring their differences "resembled no one now as much as they resembled each other…. That was what I liked about Belfast hatred. It was a lumbering hatred that could survive completely on the memories of things that never existed in the first place." He spends a certain amount of time worrying about seeming too Catholic and an equal amount worrying about not seeming sufficiently Catholic. Sometimes, after several drinks, Jake forgets that he's not a Protestant. Each position is as dangerous, and absurd, as the other. His best friend is less torn up. Chuckie Lurgan is a chubby Methodist whose only accomplishments so far have been shaking Reagan's hand, appearing in the same photo as the Pope, and having "an intense and troubling relationship with mail-order catalogues." But Chuckie suddenly surprises Jake with his first entrepreneurial scheme. Though he's placed an ad for an enormous sex toy in Northern Ireland's "only mucky paper," he hasn't any intention of ever fulfilling an order. Instead, he follows legal protocol and sends each disappointed customer a refund check, in the proper amount, stamped GIANT DILDO REFUND. The gamble is that most people will be too embarrassed to cash them. "Chuckie smiled the smile of the just-published poet." And soon he has more than 40,000 pounds in the bank and a lust for big money. He also has a rich, new girlfriend: "He hoped his dreams wouldn't suffer from all this reality."Jake is more preoccupied with the day-to-day. His construction site job gives him ample opportunity to consider his romantic failures and the ever-present symbols of war. There's also a new graffito that has sprouted among the various deadly acronyms. IRA, UVF, and UDA make no more sense than OTG, but at least everyone knows what they stand for. OTG becomes a puzzle to all of Belfast--is it, the authorities wonder, a new terrorist group? (Jake also notes several other phrases, FTP, FTQ, and FTNP--the "T" stands for the and "P" and "Q" for Pope and Queen. The "N" is for Next.) Despite his love for Belfast, Jake loses heart with its zealots and fanatics and, halfway through, Eureka Street threatens to slide into windy bathos. It's only a momentary lapse amid energetic, colloquial poetry and comic realism.