The Destroyer Of Worlds Song
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Falling Bombs and Siren Songs
Alan made the mistake of being born at both the wrong time and in the wrong place. The year was 1936, a short time before the outbreak of the Second World War. The place was suburban London not far from Northolt, a major RAF fighter aerodrome. During the latter part of the Blitz his parents evacuated him to safety in Paignton, a seaside town in Devon a long distance from the German attacks on the capital and its environs. However he little knew that life in the air raid shelter among the falling bombs intended for Northolt was far less onerous than living in an old Victorian house with the admonitions of elderly grandparents constantly ringing in his ears. After the war he graduated in medicine but becoming dissatisfied with the hierarchical class structure of the new National Health Service, so redolent of the life in the environment of the class consciousness of life with his snobbish grandparents, decided to emigrate to Australia. Life In Tasmania proved too much for his first marriage. He met ‘the Blonde and together the two of them sailed a Tasmanian built wooden cutter, daring the often challenging waters of the Tasman Sea. On board the same boat they explored beautiful coasts of Tasmania, in the process uncovering some of the ghosts of the state’s colonial past.
The Apothecary's Song
After hundreds of tiny frogs rain onto Carina Parnapoulos' croaking yard and her partner, Pato, abandons sanity, quitting his job in order to build a bomb shelter in the backyard, Carina stirs from her lifelong slumber. Pato drags her down a rocky road fraught with misadventures as they confront the myths surrounding 2012 apocalypse. This nutty journey forces her to face conflicts she'd previously chosen to ignore, including the seedy side of her career at agribusiness giant, Malsapo, Inc. and the neglect of her true passion, music. Music, spirituality, and an apothecary teach her transmutation, leading her from a drab gray existence to an incandescent engagement with life. Also includes glossary of medicinal herbs, gardening, self-sufficiency tips, and an attempt to solve the unified field theory, also known as the Theory of Everything.
Music in the Hebrew Bible
Music in the Hebrew Bible investigates musical citations in the Hebrew Bible and their relevance for our times. Most biblical musical references are addressed, either alone or as a grouping, and each is considered from a modern perspective. The book consists of one hundred brief essays divided into four parts. Part one offers general overviews of musical contexts, recurring musical-biblical themes and discussions of basic attitudes and tendencies of the biblical authors and their society. Part two presents essays uncovering what the Torah (Pentateuch) has to say about music, both literally and allegorically. The third part includes studies on music's place in Nevi'im (Prophets) and the perceived link between musical expression and human-divine contact. Part four is comprised of essays on musical subjects derived from the disparate texts of Ketuvim (Writings).