The Aesthetics Of Failure
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The Failed Individual
The freedom of the individual to aim high is a deeply rooted part of the American ethos but we rarely acknowledge its flip side: failure. If people are responsible for their individual successes, is the same true of their failures? The Failed Individual brings together a variety of disciplinary approaches to explore how people fail in the United States and the West at large, whether economically, politically, socially, culturally, or physically. How do we understand individual failure, especially in the context of the zero-sum game of international capitalism? And what new spaces of resistance, or even pleasure, might failure open up for people and society?
Boring Formless Nonsense
Author: eldritch Priest
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2013-02-14
Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious concept. The book frames recent experimental composition as a deviant kind of sound art whose affective and formal elements reflect on current issues in contemporary culture, and offers analyses of musical works and performance practices that are rarely heard, let alone considered as significant cultural phenomena - showing the role that obscurity and the esoteric have in articulating current cultural realities. Ambitious in content and experimental in its approach, Boring Formless Nonsense will challenge and fracture your views on failure, creativity, and experimental music.
Transformative Objects and the Aesthetics of Play
Author: Lynn M. Somers
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-12-26
This book considers the sculpture of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative work Bourgeois produced from 1947 to 2000. Critical concepts from British object relational theories destruction, reparation, integration, relationality and play drawn from the writings of Winnicott, Melanie Klein, Marion Milner, and Christopher Bollas, among others, bear upon the decades-long study of psychoanalysis Bourgeois brought to her sculptural production that was symbolic, metaphorical, and most importantly, useful. The book demonstrates how Bourgeois's transformative sculptural objects and environments are invested in object relations, both psychical and tangible, and explores Bourgeois's contention that the observer physically engage with the intricate sculptural objects and architectural spaces she produced. Each chapter focuses on a key body of work Femme Maison, Personages, Lairs, Janus, and Cells examining how these imaginative and playful objects are staged as embodied encounters in space and time to invoke the mutuality, reciprocity, and ambivalence of our object relationships. Weaving a tapestry of aesthetic, cultural, and psychological encounters, Transformative Objects and the Aesthetics of Play addresses critical relationships among Bourgeois's work and that of other artists from Pieter Brueghel to Eva Hesse. It brings together practical, archival, and theoretical material, offering close examinations of historically situated objects and analyses of their complex affects and spatiality. Gathering critical perspectives from psychoanalysis, cultural analysis, feminist, queer, literary and affect studies, the book extends its specific art historical scope to investigate the crucial roles that art and cultural experience assume in everyday life.