Strange Objects New Solids And Massive Things
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Strange Objects, New Solids and Massive Things
The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space—the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and ‘uninhibited’ object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings. For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models. Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms, from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal. With Contributions of Manuel DeLanda, Jonathan Jackson
Strange Objects, New Solids and Massive Forms
The object as solid, having three dimensions, is not just a different formal trend, but a paradigm shift; a reconceiving of how the architectural object is produced and experienced, changing the very concept of objectivity and meaning of architecture. This book celebrates the potential of the strange object, which finds its origin in the proto-space--the moment between the becoming of the idea and the ultimate shape it takes; the state of the still obscure and 'uninhibited' object outside the established framework of signification. As seen through an examination of 10 projects by Archi-Tectonics, this strange object is proof of the very capacity of the object to generate new habits and meanings. For close to a century, modernism was the norm, presented to culturally aware citizens as the expression of modern life. It arrived hand in hand with medical advances, mass standardization, and a shared ideal of what the ease and speed of the modern lifestyle could offer. Only in the early years of the 21st century did our widespread allegiance begin to shift away from modernism and towards a new social realm. The digital revolution introduced online societies, niche cultures, and digital design. Digital manufacturing facilitated opportunities of surface patterning and the fabrication of one-off special building components, removing the constraints of standardization in the construction industry and celebrating the experimental. Testing designs through prototypes allows for a much more informed decision-making process. The focus is on precise, rigorous research and development, rather than representational models. Now, after nearly two decades of implementing digital tools, we have reached a new platform where digital design and robotic production are the norm, and by extension, digital craft and integral design are as the future. This has been particularly important in the rethinking of advanced digital design processes. As showcased and examined in Strange Objects, New Solids and Massive Forms, from the earliest projects and regardless of scale, Archi-Tectonics has valued performance over form, design intelligence over style. Through prototypes and mock-ups, process documentation and testimonials, the book presents 10 current and recent projects that celebrate the particular and singular over the ideal and universal. With Contributions of Manuel DeLanda, Jonathan Jackson
Building Futures
BUILDING FUTURES An approach to Information Modeling engaging concepts of equality, sustainability, and labor as they relate to environment and architectural practice Building Futures: Technology, Ecology, and Architectural Practice explores how architects, and the buildings and environments we create, can engage future realities, both abstract and readily understood. These range from climate change and public health to advanced ideas about manufacture and construction. The text demonstrates multiple and hybrid paths in which building information modeling (BIM) and outgrowth technological processes including environmental simulation and human-robot interaction can be utilized in today’s contemporary context, expanding the architect’s agency by focusing on a more conceptual, and ecological, basis for our work. Moving beyond a basic understanding of the role of computation in architecture and design, the work shows how to think critically and speculatively about technology’s deeper and more lasting impacts on both architecture and society. Topics covered in Building Futures include: Technology: information modeling and the relationship between computational and real objects, new approaches to coding in architectural design, and direct-to-manufacture workflows Environment: understanding part-to-whole relationships at a variety of scales and the interconnectedness of things, post-subjective architectural approaches to ecology, and new ideas about sustainability Practice: revisiting architecture by remote control in the time of new global challenges, and novel ideas about creativity, authorship, and professionalism Design professionals and practice leaders grappling with the relationship of technology to design pedagogy will use Building Futures to better theorize and execute their architectural vision. Students in upper-level courses studying technique and theory will also find value in the work, which prepares incoming professionals for the major changes that the Architecture, Engineering, and Construction (AEC) industry may undergo in the coming years and decades. “The book prompts us to consider simulating events where architecture and architects could mitigate, redirect or develop contingencies, in relation to the environment, flows of material and capital, and other “things” that operate from the immediate, through to almost geological timescales.” From the Foreword by Robert Stuart-Smith, Director of the Autonomous Manufacturing Lab, University of Pennsylvania