Shallow Discourse Parsing For German

Shallow Discourse Parsing for German

The last few decades have seen impressive improvements in several areas of Natural Language Processing. Nevertheless, getting a computer to make sense of the discourse of utterances in a text remains challenging. Several different theories which aim to describe and analyze the coherent structure of a well-written text exist, but with varying degrees of applicability and feasibility for practical use. This book is about shallow discourse parsing, following the paradigm of the Penn Discourse TreeBank, a corpus containing over 1 million words annotated for discourse relations. When it comes to discourse processing, any language other than English must be considered a low-resource language. This book relates to discourse parsing for German. The limited availability of annotated data for German means that the potential of modern, deep-learning-based methods relying on such data is also limited. This book explores to what extent machine-learning and more recent deep-learning-based methods can be combined with traditional, linguistic feature engineering to improve performance for the discourse parsing task. The end-to-end shallow discourse parser for German developed for the purpose of this book is open-source and available online. Work has also been carried out on several connective lexicons in different languages. Strategies are discussed for creating or further developing such lexicons for a given language, as are suggestions on how to further increase their usefulness for shallow discourse parsing. The book will be of interest to all whose work involves Natural Language Processing, particularly in languages other than English.

Shallow Discourse Parsing for German

From Narratology to Computational Story Composition and Back

Although both deal with narratives, the two disciplines of Narrative Theory (NT) and Computational Story Composition (CSC) rarely exchange insights and ideas or engage in collaborative research. The former has its roots in the humanities, and attempts to analyze literary texts to derive an understanding of the concept of narrative. The latter is in the domain of Artificial Intelligence, and investigates the autonomous composition of fictional narratives in a way that could be deemed creative. The two disciplines employ different research methodologies at contradistinct levels of abstraction, making simultaneous research difficult, while a close exchange between the two disciplines would undoubtedly be desirable, not least because of the complementary approach to their object of study. This book, From Narratology to Computational Story Composition and Back, describes an exploratory study in generative modeling, a research methodology proposed to address the methodological differences between the two disciplines and allow for simultaneous NT and CSC research. It demonstrates how implementing narratological theories as computational, generative models can lead to insights for NT, and how grounding computational representations of narrative in NT can help CSC systems to take over creative responsibilities. It is the interplay of these two strands that underscores the feasibility and utility of generative modeling. The book is divided into 6 chapters: an introduction, followed by chapters on plot, fictional characters, plot quality estimation, and computational creativity, wrapped up by a conclusion. The book will be of interest to all those working in the fields of narrative theory and computational creativity.