Robin Sowards


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Stylistics


Stylistics

Author: Poetics and Linguistics Association. Conference

language: en

Publisher: Rodopi

Release Date: 2007


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Stylistics: Prospect & Retrospect looks backward toward classic and foundational approaches and texts that helped to establish the field of stylistics. It also looks forward by examining recent innovations that seem likely to alter the ways in which style is studied in the years to come. The essays presented here, written by an array of experts from nine countries on four continents, employ a wide range of approaches to works that range from romantic poetry to contemporary fiction and from traditional folktales and nursery rhymes to contemporary film. The variety of authors, approaches, and works found here testifies to the vitality of the field of stylistics, and these essays should appeal to all those interested in the nature of style and in the history and future of stylistics.ContentsAcknowledgements Notes on ContributorsDavid L. HOOVER: PrefaceDavid L. HOOVER & Sharon LATTIG: IntroductionPart I: Foregrounding, Estrangement, and PatternWillie VAN PEER, Sonia ZYNGIER & Jemeljan HAKEMULDER: Foregrounding: Past, Present, FutureAnne BIRIEN: Modernist Poetics of Estrangement: Ezra Pound's Answer to Stephane MallarmeRobin J. SOWARDS: Local Interpretation and the Syntax of Keats's `To Autumn?Part II: Formal Analysis and the Analysis of FormHenrik SCHARFE: Story Elements as SetsYuchau E. HSIAO: The Metrical Structure of Taiwanese Nursery Rhymes: A Corpus StudyUlf CRONQUIST: Embodiment and the Irreducible Sign: Towards a Theoretical Anthropo-Semiotic Grounding for Literary Textual AnalysisPart III: Speech and Thought PresentationVioleta SOTIROVA: Historical Transformations of Free Indirect StyleJohn DOUTHWAITE: Using Speech and Thought Presentation to Validate Hypotheses Regarding the Nature of the Crime Novels of Andrea CamilleriMick SHORT: How to Make a Drama out of a Speech Act: The Speech Act of Apology in the Film A Fish Called WandaBibliographyIndex

Organizing Professionals


Organizing Professionals

Author: Gary Rhoades

language: en

Publisher: Rutgers University Press

Release Date: 2025-04-15


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Amidst unprecedented levels of union organizing in higher education, Gary Rhoades combines the perspectives of a scholar and labor movement activist and leader to provide a comprehensive analysis of organizing campaigns and collective bargaining agreements for faculty (contingent and tenure-track), graduate students, and postdoc employees. Academic employees are organizing and negotiating for respect for workers, their work, and the public value of higher education. Rhoades analyzes how academic employees are shifting the imbalance of power between labor and management, reducing the internal professional stratification between segments of the academic workforce, and intersecting workplace issues with broader issues of equality, public value, and social justice, and in the process organizing and negotiating for a new, more progressive academy.

Shell Shock and the Modernist Imagination


Shell Shock and the Modernist Imagination

Author: Wyatt Bonikowski

language: en

Publisher: Routledge

Release Date: 2016-04-01


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Looking closely at both case histories of shell shock and Modernist novels by Ford Madox Ford, Rebecca West, and Virginia Woolf, Wyatt Bonikowski shows how the figure of the shell-shocked soldier and the symptoms of war trauma were transformed by the literary imagination. Situating his study with respect to Freud’s concept of the death drive, Bonikowski reads the repetitive symptoms of shell-shocked soldiers as a resistance to representation and narrative. In making this resistance part of their narratives, Ford, West, and Woolf broaden our understanding of the traumatic effects of war, exploring the possibility of a connection between the trauma of war and the trauma of sexuality. Parade’s End, The Return of the Soldier, and Mrs. Dalloway are all structured around the relationship between the soldier who returns from war and the women who receive him, but these novels offer no prospect for the healing effects of the union between men and women. Instead, the novels underscore the divisions within the home and the self, drawing on the traumatic effects of shell shock to explore the link between the public events of history and the intimate traumas of the relations between self and other.