Rewriting Peter As An Intertextual Character In The Canonical Gospels
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Rewriting Peter as an Intertextual Character in the Canonical Gospels
Peter is a fascinating character in all four canonical gospels, not only as a literary figure in each of the gospels respectively, but also when looked at from an intertextual perspective. This book examines how Peter is rewritten for each of the gospels, positing that the different portrayals of this crucial figure reflect not only the theological priorities of each gospel author, but also their attitude towards their predecessors. Rewriting Peter as an Intertextual Character in the Canonical Gospels is the first critical study of the canonical gospels which is based on Markan priority, Luke’s use of Mark and Matthew, and John’s use of all three synoptic gospels. Through a selection of close readings, Damgaard both provides a new critical portrait of Peter and proposes a new theory of source and redaction in the gospels. In the last thirty years there has been an increasing appreciation of the gospels’ literary design and of the gospel writers as authors and innovators rather than merely compilers and transmitters. However, literary critics have tended to read each gospel individually as if they were written for isolated communities. This book reconsiders the relationship between the gospels, arguing that the works were composed for a general audience and that the writers were bold and creative interpreters of the tradition they inherited from earlier gospel sources. Damgaard’s view that the gospel authors were familiar with the work of their predecessors, and that the divergences between their narratives were deliberate, sheds new light on their intentions and has a tremendous impact on our understanding of the gospels.
John the Baptist as a Rewritten Figure in Luke-Acts
Author: Christina Michelsen Chauchot
language: en
Publisher: Routledge
Release Date: 2021-03-14
John the Baptist as a Rewritten Figure in Luke-Acts compares the Gospel of Luke’s account of John’s ministry with those of Matthew, Mark, and John to make the case for the hypertextual relationship between the synoptic gospels. The book is divided into three parts. Part I situates the Gospel of Luke within the broader context of biblical rewritings and makes the general case that a rewriting strategy can be detected in Luke, while Parts II and III combined offer a more detailed and specific argument for Luke’s refiguring of the public ministry of John the Baptist through the use of omitted, new, adapted, and reserved material. While the "two source hypothesis" typically presupposes the independence of Luke and Matthew in their rewritings of Mark and Q, Chauchot argues that Luke was heavily reliant on Matthew as suggested by the "L/M hypothesis". Approaching the Baptist figure in the synoptic gospels from a literary-critical perspective, Chauchot examines "test cases" of detailed comparative analysis between them to argue that the Gospel of Luke makes thematic changes upon John the Baptist and is best characterized as a highly creative reshaping of Matthew and Mark. Making a contribution to current research in the field of New Testament exegesis, the book is key reading for students, scholars, and clergy interested in New Testament hermeneutics and Gospel writing.
Rewriting Peter as an Intertextual Character in the Canonical Gospels
Peter is a fascinating character in all four canonical gospels, not only as a literary figure in each of the gospels respectively, but also when looked at from an intertextual perspective. This book examines how Peter is rewritten for each of the gospels, positing that the different portrayals of this crucial figure reflect not only the theological priorities of each gospel author, but also their attitude towards their predecessors. Rewriting Peter as an Intertextual Character in the Canonical Gospels is the first critical study of the canonical gospels which is based on Markan priority, Luke’s use of Mark and Matthew, and John’s use of all three synoptic gospels. Through a selection of close readings, Damgaard both provides a new critical portrait of Peter and proposes a new theory of source and redaction in the gospels. In the last thirty years there has been an increasing appreciation of the gospels’ literary design and of the gospel writers as authors and innovators rather than merely compilers and transmitters. However, literary critics have tended to read each gospel individually as if they were written for isolated communities. This book reconsiders the relationship between the gospels, arguing that the works were composed for a general audience and that the writers were bold and creative interpreters of the tradition they inherited from earlier gospel sources. Damgaard’s view that the gospel authors were familiar with the work of their predecessors, and that the divergences between their narratives were deliberate, sheds new light on their intentions and has a tremendous impact on our understanding of the gospels.