Representation The Production Of Meaning Through Language
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Representation
This broad-ranging text offers a comprehensive outline of how visual images, language and discourse work as `systems of representation'. Individual chapters explore: representation as a signifying practice in a rich diversity of social contexts and institutional sites; the use of photography in the construction of national identity and culture; other cultures in ethnographic museums; fantasies of the racialized `Other' in popular media, film and image; the construction of masculine identities in discourses of consumer culture and advertising; and the gendering of narratives in television soap operas.
Representation: the production of meaning through language
Essay from the year 2005 in the subject Speech Science / Linguistics, University of Prishtina, course: Constructivism and Semiotics, language: English, abstract: Human beings created a world of messages and meanings and continue to create new ones to look for the meaning of life. In order to communicate with each other and leave their stories for the new generation, humans have been using the power of images and symbols since the beginning of the human history. It is this greatest purpose – communication – that makes human beings to construct their system of signs and symbols – their language – to make the world meaningful. This essay is an attempt to deal, in general, with question of representation – the production of meaning through language. In first part of the essay we define, shortly, three theories of representation, with the main focus on the constructionist theory. In the second part we will show how the constructionist approach has to do with representation, the relationship between them. And, in third part we will explain the importance that these theories have in relation with communication. We will focus our attention on structuralist semiotics – in Ferdinand de Saussure and Roland Barthes works.
Representation
Author: Stuart Hall
language: en
Publisher: SAGE Publications Limited
Release Date: 2024-11-01
Since 1997 Representation has been the go-to textbook for students learning the tools to question and critically analyze media texts and images. This long-awaited third edition has been updated throughout to engage with the impact of digital technology and culture, and the changes in political culture, social movements and the cultural industries. The new edition includes: A new preface by Sean Nixon, focusing on digital media, and theories of representation. A new Afterword by Kobena Mercer to Stuart Hall’s classic chapter on ‘The Spectacle of the Other’ Revised chapters with additional content on digital media, de-westernising culture, imperialism and BLM, and new readings tying contemporary issues of race, gender and power A new chapter by Nancy Thumim exploring digital forms of self-representation and representation in/of Politics, looking at media spectacle, political imagery, the Me Too movement and Black Lives Matter. The Third Edition provides an indispensable resource for students and teachers in cultural and media studies.