Redemption Of Fate
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Redeeming Words
Author: David Michael Kleinberg-Levin
language: en
Publisher: SUNY Press
Release Date: 2013-11-01
Probing study of how literature can redeem the revelatory, redemptive powers of language. In this probing look at Alfred Döblin’s 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.
In Praise of Nonsense
Author: Winfried Menninghaus
language: en
Publisher: Stanford University Press
Release Date: 1999-10
Ludwig Tieck's 1797 rewriting of Charles Perrault's famous Bluebeard tale (1697) explicitly claims to be an "arabesque" book "without any sense and coherence." The author's close reading of this capricious narrative, based on Kant's theory of what it means to produce nonsense, reveals a specifically Romantic type of nonsense.
Redemption Or Annihilation?
Author: John Tietz
language: en
Publisher: Peter Lang Incorporated, International Academic Publishers
Release Date: 1999
Wagner's epic Ring of the Niebelungs stands as a focal point of nineteenth-century German art. Redemption or Annihilation? discusses the unusual structure of The Ring and major critical viewpoints, such as those of Friedrich Nietzsche and Theodor Adorno. An interpretation is presented in which Nietzsche's criticisms form the basis of a positive reading of The Ring, whose significance, structure, and meaning are still enthusiastically debated today.