Reconstructing Feminism Through Cyberfeminism
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Reconstructing Feminism through Cyberfeminism
This book investigates how digitalization has affected entrepreneurship, labour markets, financial markets, and women's empowerment, underlining the opportunity it presents for a more inclusive and equal society. It explores how technology changes and creates gender, and the transformational potential it has for questioning conventional concepts of gender, drawing on the theories and critiques of cyberfeminism. The contributors discuss how women's agency and power in establishing emancipated cyberspaces are critically impacted by cyberfeminist conceptions of technical growth. Therefore, the volume sheds light on how technology may be a tool for women's empowerment and emancipation as well as how it might sustain current power imbalances and gender inequities by exploring cyberfeminism. The nexus of gender and technology is explored in depth by examining the connections between gendered, classed, and digital activities. In addition, this book looks at how technology may either support current power relations or provide disadvantaged people with a chance to question and disrupt them. Contributors are: Yarkın Çelik, Gözde Ersöz, Oktay Hekimler, Meltem İnce Yenilmez, Ayşe Mine İşler, Eylül Kabakçi Günay, Gökmen Kantar, Miray Özden, Kürşad Özkaynar, Fatma Pelin Erel, Mehtap Polat, Sedat Polat, and Gamze Yıldız Şeren.
Cyberfeminism
This collection explores the possibilities for feminism in cyberspace. It also looks at the pitfalls of the medium with theorists examining trafficking of women, perception of the body and the problems of global and homogenised culture.
Reclaiming the Archive
Author: Vicki Callahan
language: en
Publisher: Wayne State University Press
Release Date: 2010
Illustrates the rich relationship between film history and feminist theory. Reclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches--including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis--by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in Reclaiming the Archive investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. A final section examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today. The essays in Reclaiming the Archive prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.