Reading Abstract Expressionism Context And Critique


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Reading Abstract Expressionism


Reading Abstract Expressionism

Author: Ellen G. Landau

language: en

Publisher:

Release Date: 1991-04-24


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Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues. This up-to-date anthology is the first comprehensive collection of key critical writings about Abstract Expressionism from its inception in the 1940s to the present day.

Rereading Abstract Expressionism, Clement Greenberg and the Cold War


Rereading Abstract Expressionism, Clement Greenberg and the Cold War

Author: Daniel Neofetou

language: en

Publisher: Bloomsbury Publishing USA

Release Date: 2021-09-23


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Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.

Women, the New York School, and Other True Abstractions


Women, the New York School, and Other True Abstractions

Author: Maggie Nelson

language: en

Publisher: University of Iowa Press

Release Date: 2007-12


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Maggie Nelson provides the first extended consideration of the roles played by women in and around the New York School of poets, from the 1950s to the present, and offers unprecedented analyses of the work of Barbara Guest, Bernadette Mayer, Alice Notley, Eileen Myles, and abstract painter Joan Mitchell as well as a reconsideration of the work of many male New York School writers and artists from a feminist perspective.