Reading Abstract Expressionism
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Abstract Expressionism at the Museum of Modern Art
More than sixty years have passed since the critic Robert Coates, writing in The NewYorker in 1946, first used the term'Abstract Expressionism' to describe the richly coloured canvases of Hans Hofmann. The name stuck, and over the years it has come to designate the paintings and sculptures of artists as different as Jackson Pollock and Barnett Newman,Willem de Kooning and Mark Rothko, Lee Krasner and David Smith. The achievements of this generation, which put NewYork City on the map as the centre of the international art world, are some of the 20th century's greatest masterpieces. Beginning in mid-1940s, under the aegis of Alfred H. Barr, Jr., works by then little-known American artists - including Pollock, de Kooning, Smith, Arshile Gorky and Adolph Gottlieb - began to enter the Museum's collection. These ambitious acquisition initiatives continued throughout the second half of the last century and produced a collection of Abstract Expressionist art with a breadth and depth unrivalled by any museum in the world.With an essay by Ann Temkin, Abstract Expressionism at The Museum of Modern Art celebrates the Museum's holdings from this epochal moment in the history of art and the institution like no other book.
Rereading Abstract Expressionism, Clement Greenberg and the Cold War
Author: Daniel Neofetou
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2021-09-23
Since the 1970s, it has been argued that Abstract Expressionism was exhibited abroad by the post-war US establishment in an attempt to culturally match and reinforce its newfound economic and military dominance. The account of Abstract Expressionism developed by the American critic Clement Greenberg is often identified as central to these efforts. However, this book rereads Greenberg's account through Theodor Adorno and Maurice Merleau-Ponty in order to contend that Greenberg's criticism in fact testifies to how Abstract Expressionism opposes the ends to which it was deployed. With reference not only to the most famous artists of the movement, but also female artists and artists of colour whom Greenberg himself neglected, such as Joan Mitchell and Norman Lewis, it is argued that, far from reinforcing the capitalist status quo, Abstract Expressionism engages corporeal and affective elements of experience dismissed or delegitimated by capitalism, and promises a world that would do justice to them.
Reading Abstract Expressionism
Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues. This up-to-date anthology is the first comprehensive collection of key critical writings about Abstract Expressionism from its inception in the 1940s to the present day.