Reading Abstract Expressionism Context And Critique Pdf
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Reading Abstract Expressionism
Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues. This up-to-date anthology is the first comprehensive collection of key critical writings about Abstract Expressionism from its inception in the 1940s to the present day.
Daguerreotypes
Author: Lisa Saltzman
language: en
Publisher: University of Chicago Press
Release Date: 2015-07-06
In the digital age, photography confronts its future under the competing signs of ubiquity and obsolescence. While technology has allowed amateurs and experts alike to create high-quality photographs in the blink of an eye, new electronic formats have severed the original photochemical link between image and subject. At the same time, recent cinematic photography has stretched the concept of photography and raised questions about its truth value as a documentary medium. Despite this situation, photography remains a stubbornly substantive form of evidence: referenced by artists, filmmakers, and writers as a powerful emblem of truth, photography has found its home in other media at precisely the moment of its own material demise. By examining this idea of photography as articulated in literature, film, and the graphic novel, Daguerreotypes demonstrates how photography secures identity for figures with an otherwise unstable sense of self. Lisa Saltzman argues that in many modern works, the photograph asserts itself as a guarantor of identity, whether genuine or fabricated. From Roland Barthes’s Camera Lucida to Ridley Scott’s Blade Runner, W. G. Sebald’s Austerlitz to Alison Bechdel’s Fun Home—we find traces of photography’s “fugitive subjects” throughout contemporary culture. Ultimately, Daguerreotypes reveals how the photograph, at once personal memento and material witness, has inspired a range of modern artistic and critical practices.
SANAT BİLGİSİ
Yeni bir Sanat Bilgisi ile karşınızdayım. Bu kitapta, yine yazı dizimize kaldığımız yerden devam ediyoruz. Yanı sıra Sanat Bilgisi- 2. Kitap’ta giriş yaptığımız “Karl Marx ve Sanat” başlıklı konuyu irdeleyip, daha da açmaya devam ediyorum. Sanat kuramı meselesiyle, sanata yoğun ilgi duymanın aynı şey olmamakla birlikte, söz konusu ilginin bir sanat entelektüeli olma yönünde kişinin kendisine yatırım yapmasını sağladığı noktası unutulmamalı. Bu durumun getireceği zenginlik, kişinin ele aldığı asıl işinde ona büyük yarar sağlar. İşte bunun somut bir örneği olarak Karl Marx’ın sanatla ilişkisi konusunun irdelenmesini örnek bir çaba olarak görüyorum. Soyut Ekspresyonizm konusu birçok açıdan dünyada halen tartışılagelen bir sorun durumundadır. Bundan ötürü bu konu hakkında da bir şeylere vurgu yapılıp, dikkat çekilmesinin yararı olabilir düşüncesinden hareketle, bu konuyu da farklı yansımalarla ele almaya çalıştım. Ayrıca bu arada hacimli çalışmam; “Görsel Sanatların Kuramsal Gelişimi” isimli kitap da İzlekler Yayınları’ndan çıktı. Bu kitap üzerine ilk katkı da Evrim’den geldi ve bu kitap üzerine görüşlerini içeren yazısıyla da Sanat Bilgisi-4. Kitap’ı kapattım.