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The Upside-Down Kingdom
Author: Donald B. Kraybill
language: en
Publisher: MennoMedia, Inc.
Release Date: 2018-01-12
The Upside-Down Kingdom calls readers to imagine and embody the reign of God on earth as it is in heaven. Since its publication in 1978, The Upside-Down Kingdom won the National Religious Book Award and has become the most trusted resource on radical Christian discipleship. In this completely updated anniversary edition, author Donald B. Kraybill asks: What does it mean to follow the Christ who traded victory and power for hanging out with the poor and forgiving his enemies? How did a man in first-century Palestine threaten the established order, and what does that mean for us today? Jesus turned expectations upside down. The kingdom of God is still full of surprises. Are you ready? Free downloadable study guide available here.
The Upside-down Kingdom
In this completely revised edition of his acclaimed book, Donald B. Kraybill says Jesus calls us to foster an Upside-Down Kingdom favoring those suffering at society's margins. The King is Jesus, who wins by serving and triumphs by losing.
Pirate Modernity
Using Delhi’s contemporary history as a site for reflection, Pirate Modernity moves from a detailed discussion of the technocratic design of the city by US planners in the 1950s, to the massive expansions after 1977, culminating in the urban crisis of the 1990s. As a practice, pirate modernity is an illicit form of urban globalization. Poorer urban populations increasingly inhabit non-legal spheres: unauthorized neighborhoods, squatter camps and bypass legal technological infrastructures (media, electricity). This pirate culture produces a significant enabling resource for subaltern populations unable to enter the legal city. Equally, this is an unstable world, bringing subaltern populations into the harsh glare of permanent technological visibility, and attacks by urban elites, courts and visceral media industries. The book examines contemporary Delhi from some of these sites: the unmaking of the citys modernist planning design, new technological urban networks that bypass states and corporations, and the tragic experience of the road accident terrifyingly enhanced by technological culture. Pirate Modernity moves between past and present, along with debates in Asia, Africa and Latin America on urbanism, media culture, and everyday life. This pioneering book suggests cities have to be revisited afresh after proliferating media culture. Pirate Modernity boldly draws from urban and cultural theory to open a new agenda for a world after media urbanism.