New Media In The White Cube And Beyond
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New Media in the White Cube and Beyond
Author: Christiane Paul
language: en
Publisher: Univ of California Press
Release Date: 2008
"New Media in the White Cube and Beyond perceptively addresses the challenges inherent in the digital arts. The book will be a great asset to the study and practice of presenting media art for many years to come."--Barbara London, curator, Museum of Modern Art, New York "Provocative and original, New Media in the White Cube and Beyond represents an important contribution to the fields of new media, museum studies, and contemporary art."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity
Image Beyond Image: New Media Art Of Contemporary India
Author: Dr. Anirban Dhar
language: en
Publisher: Blue Rose Publishers
Release Date: 2025-02-08
In the development of contemporary Visual Art practices, New Media Art has enormous involvement to enhance the quality of postmodern art and art critique. Contextually the new development of contemporary Indian art has been started from the sixties —this new trend which reflects a genre of non-conventional practices of Visual Art. The image became more conceptual from this era. With the relation of this new genre, the visual came to a point of zenith in the nineties when artists of India became involved with the broader area of art through the New Media works of art. The study focuses on the New Media Art of contemporary India from 1990 to the till now. It also highlights the visual interaction of New Media Art with its conceptual aspect as an image beyond the image in context to contemporary art- world.
New Collecting: Exhibiting and Audiences after New Media Art
The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.