Medieval Intersections
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Medieval Intersections
Status and gender are two closely associated concepts within medieval society, which tended to view both notions as binary: elite or low status, married or single, holy or cursed, male or female, or as complementary and cohesive as multiple parts of a societal whole. With contributions on topics ranging from medieval leprosy to boyhood behaviors, this interdisciplinary collection highlights the various ways “status” can be interpreted relative to gender, and what these two interlocked concepts can reveal about the construction of gendered identities in the Middle Ages.
Medieval Art at the Intersection of Visuality and Material Culture
Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.
Architecture and Affect in the Middle Ages
Author: Paul Binski
language: en
Publisher: Univ of California Press
Release Date: 2024-10-29
How did people living in the Middle Ages respond to spectacular buildings, such as the Gothic cathedrals? While contemporary scholarship places a large emphasis on the emotional content of Western medieval figurative art, the emotion of architecture has largely gone undiscussed. In a radical new approach, Architecture and Affect in the Middle Ages explores the relationship between medieval buildings and the complexity of experience they engendered. Paul Binski examines long-standing misconceptions about the way viewers responded to medieval architecture across Western Europe and in Byzantine and Arabic culture between late antiquity and the end of the medieval period. He emphasizes the importance of the experience itself within these built environments, essentially places of action, space, and structure but also, crucially, of sound and emotion.