Medieval And Early Modern Art Architecture And Archaeology In Norwich
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Medieval and Early Modern Art, Architecture and Archaeology in Norwich
This volume explores the importance of Norwich as the second city of England for 500 years. It addresses two of the most ambitious Romanesque buildings in Europe: cathedral and castle, and illuminates the role of Norwich-based designers and makers in the region.
Norwich
Author: British Archaeological Association. Conference
language: en
Publisher: Routledge
Release Date: 2015
The importance of Norwich as the second city of England for 500 years is explored in this volume in nineteen essays and seven site reports. Current understanding of the city's origins and development is largely informed by the results of four decades of archaeological investigation. This work is reviewed and extended by the two introductory papers in this volume. A remarkable amount of the physical evidence of the city's prestigious status is extant, notably the cathedral and castle, two of the most ambitious Romanesque buildings in Europe. These are addressed in several papers, either by means of direct architectural study or in relation to issues such as patronage and influence. Norwich's outstanding parish churches and merchant houses, both barometers of continuity and change across the medieval and early modern periods, are the subject of five further papers. Norwich was a major centre of operations for masons, painters and artists of all kinds. This is explored not only within the city and cathedral precinct but through its impact in the county. Site reports, short essays on some of the buildings visited during the conference, further illuminate the role of Norwich-based designers and makers in the region.
Medieval Art, Architecture and Archaeology in Cambridge
Medieval Art, Architecture and Archaeology in Cambridge explores the archaeology, art, and architecture of Cambridge in the Middle Ages, a city marked not only by its exceptional medieval university buildings but also by remarkable parish churches, monastic architecture, and surviving glass, books, and timber work. The chapters in this volume cover a broad array of medieval, and later, buildings and objects in the city and its immediate surrounds, both from archaeological and thematic approaches. In addition, a number of chapters reflect on the legacy and influence medieval art and architecture had on the later city. Along with medieval colleges, chapels, and churches, buildings in villages outside the city are discussed and analysed. The volume also provides detailed studies of some of the most important master masons, glassmakers, and carpenters in the medieval city, as well as of patrons, building types, and institutional development. Both objects and makers, patrons, and users are represented by its contents. The volume sets the archaeological and art historical analysis in its socio-economic context; medieval Cambridge was a city located on major trade routes and with complex social and institutional differences. In an academic field increasingly shaped by interdisciplinary interest in material culture, Medieval Art, Architecture and Archaeology in Cambridge marks a major new contribution to the field, focussing on the complexity, variety, and specificity of the buildings and objects that define our understanding of Cambridge as a medieval city.