Martin Chuzzlewit Character A Corrupt Architect
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Victorian Structures
Argues that the descriptions of buildings frequently encountered in Victorian novels offer more than evocative settings for characters and plot; instead, such descriptions signal these novels’ self-reflexive consideration of the structure itself. Although Victorian novels often feature lengthy descriptions of the buildings where characters live, work, and pray, we may not always notice the stories these buildings tell. But when we do pay attention, we find these buildings offer more than evocative background settings. Victorian Structures uses the architectural writings of Victorian critic John Ruskin as a framework for examining the interaction of physical, social, and narrative structures in Little Dorrit by Charles Dickens, Adam Bede by George Eliot, and The Mayor of Casterbridge and Jude the Obscure by Thomas Hardy. By closely reading their descriptions of architectural structure, this book reconsiders structure itself—both the social structures the novels reflect, and the narrative structures they employ. Weaving together analysis of these three kinds of structure offers an interpretation of Victorian realism that is far more socially and formally unstable than critics have tended to assume. It illustrates how these novels radically critique the limitations, dysfunctions, and deceptions of structure, while also imagining alternative possibilities. This unique interdisciplinary approach emphasizes structure-in-time: while current conversations about structure focus on its static and fixed properties, this book understands it as various forces in tension, producing meanings that are always in flux. Victorian Structures focuses not only on the way structures shape our perceptions and experiences, but also, more importantly, on the processes through which those structures come to be constructed in the first place, and how they change over time. “For Jody Griffith, ‘form’ is not merely a controversial topic for twenty-first-century literary critics: it’s also the architectural form of John Ruskin, living and changing over time. Her book blends contemporary methods with nineteenth-century ideas to arrive at original formalist readings of the Victorian novel.” — Rachel Teukolsky, Vanderbilt University
New Qualitative Methodologies in Health and Social Care Research
This edited volume brings together innovative contributions from a range of health and social care professionals and research scientists who are interested in introducing new approaches to qualitative research into the world of health and social care. A range of methodologies including discourse analysis, imagework, cut-up technique, minimalist passive interviewing technique and social action research are discussed along with their histories, methods and their applicability to practice. Illustrated by examples drawn from clinical and practice settings, the book also explores recent developments and their implications for, and impact on, delivery and good practice evaluation in health and social care. The book encourages an in-depth appreciation of the concept of evidence - what it means, how it is arrived at and the consequences of it being applied, and: enables health and social care professionals, academics and students to learn more about new qualitative methodologies broadens understanding of notions of good practice encourages new thinking about the application of methodologies to practice.
Character Sketches of Romance, Fiction and the Drama
Author: Ebenezer Cobham Brewer
language: en
Publisher: The Minerva Group, Inc.
Release Date: 2004-03
Originally published in 1892, "the object of this Handbook is to supply readers and speakers with a lucid, but very brief account of such names as are used in allusions and references, whether by poets or prose writers; - to furnish those who consult it with the plot of popular dramas, the story of epic poems, and the outline of well-known tales. The number of dramatic plots sketched out is many hundreds. Another striking and interesting feature of the book is the revelation of the source from which dramatists and romancers have derived their stories, and the strange repetitions of historic incidents. It has been borne in mind throughout that it is not enough to state a fact. It must be stated attractively, and the character described must be drawn characteristically if the reader is to appreciate it, and feel an interest in what he reads." This work, an American reprint of The Reader's Handbook by E. Cobham Brewer, ..".while retaining all of the original material that can interest and aid the English-speaking student, gives also 'characters and sketches found in American novels, poetry and drama.'"