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The Next Move
Author: Hilda A. Stephens
language: en
Publisher: Xlibris Corporation
Release Date: 2021-09-03
The news travel fast around Washington D.C. and the score has not been settled between Braxton DePaul and his music producer. Braxton is a main character in the book series, God, Is This My Man. Although his behavior has not change, he think he can get whatever he wants and whatever pleases him, including a certain young lady. The plot thickens and Braxton finds himself, alone, confused and out of a job. Just when things seems to be going his, he find out, the young lady he loves is not willing to give up anything, but they continue down a deep dark secret path, that no one know how it will end. Braxton is ready to risk it all, but there is someone standing in his way. This mysterious person holds the key to Braxton’s future and the odds is not in Braxton’s favor. It is a showdown to the bitter end. How far is Braxton willing to go to get what he thinks he deserves.
On Women's Films
Author: Ivone Margulies
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2019-07-25
On Women's Films looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world.
Gay Directors, Gay Films?
Author: Emanuel Levy
language: en
Publisher: Columbia University Press
Release Date: 2015-08-25
Through intimate encounters with the life and work of five contemporary gay male directors, this book develops a framework for interpreting what it means to make a gay film or adopt a gay point of view. For most of the twentieth century, gay characters and gay themes were both underrepresented and misrepresented in mainstream cinema. Since the 1970s, however, a new generation of openly gay directors has turned the closet inside out, bringing a poignant immediacy to modern cinema and popular culture. Combining his experienced critique with in-depth interviews, Emanuel Levy draws a clear timeline of gay filmmaking over the past four decades and its particular influences and innovations. While recognizing the "queering" of American culture that resulted from these films, Levy also takes stock of the ensuing conservative backlash and its impact on cinematic art, a trend that continues alongside a growing acceptance of homosexuality. He compares the similarities and differences between the "North American" attitudes of Todd Haynes, Gus Van Sant, and John Waters and the "European" perspectives of Pedro Almodóvar and Terence Davies, developing a truly expansive approach to gay filmmaking and auteur cinema.