Levinas The Face
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Levinas Faces Biblical Figures
Author: Yael Lin
language: en
Publisher: Bloomsbury Publishing PLC
Release Date: 2014-03-20
This collection of essays is an attempt to capture the drama of the encounter, of the 'facing' of Levinas and the biblical text. It seeks to link Jewish experience and Levinasian themes such as responsibility, substitution, hospitality, suffering and forgiveness, and at the same time make the biblical text accessible in a new way. The book offers new insights on the opening up of Levinas's thought and biblical stories to one another; it considers the ways in which Levinas can open up the biblical text to requestioning, and how the biblical text can inform our reading of Levinas. Setting up in dialogue the heteronomic texts – the narrative texts of the bible and Levinas's philosophical texts – allows an enforced and renewed understanding of both. The examination of these issues is pursued from diverse perspectives and disciplines, probing the role biblical figures play in Levinas's thought and the manner by which to approach them. Do the biblical allusions serve in Levinas's thought merely as a rhetorical and literary device, as illustrations of his ideas, or perhaps they have a deeper philosophical meaning, which contributes to his project in general? Do the references to biblical figures work in Levinas's philosophy in a way that other literary figures are incapable of, and how do these references comply with his conflicted attitude towards literature?
Face to Face with Levinas
An introduction to the ethical and ontological import of Levinas' philosophy.
Culture and Conflict in Palestine/Israel
While the scholarly study of culture as a politically contested sphere in Palestine/Israel has become an established field over the past two decades, this volume highlights some particular understudied aspects of it: the relations between Arab identity, Mizrahi identity, and Israeli nationalism; the nightclub scene as a field of encounter, appropriation, and exclusion; an analysis of the institutional and political conditions of Palestinian cinema; the implications of the intersectional relationship between gender, ethnicity and national identity in the field of popular culture, and the concrete relations between particular aesthetic forms and symbolic power. The authors come from diverse disciplines, including anthropology, architecture, ethnomusicology, history, sociology, and political science. The chapters in this book were originally published as a special issue of Ethnic and Racial Studies.