Is Art The Devil
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Art of the Devil
Author: Arturo Graf
language: en
Publisher: Parkstone International
Release Date: 2023-12-28
“The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer... the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness. For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one’s contemporaries. In the same way, literature dealing with the Devil has long offered inspiration to artists wishing to exorcise evil through images, especially the works of Dante and Goethe. In the 19th century, romanticism, attracted by the mysterious and expressive potential of the theme, continued to glorify the malevolent. Auguste Rodin’s The Gates of Hell, the monumental, tormented work of a lifetime, perfectly illustrates this passion for evil, but also reveals the reason for this fascination. Indeed, what could be more captivating for a man than to test his mastery by evoking the beauty of the ugly and the diabolic?
The Devil's Art
Author: Jason P. Coy
language: en
Publisher: University of Virginia Press
Release Date: 2020-06-04
In early modern Germany, soothsayers known as wise women and men roamed the countryside. Fixtures of village life, they identified thieves and witches, read palms, and cast horoscopes. German villagers regularly consulted these fortune-tellers and practiced divination in their everyday lives. Jason Phillip Coy brings their enchanted world to life by examining theological discourse alongside archival records of prosecution for popular divination in Thuringia, a diverse region in central Germany divided into a patchwork of princely territories, imperial cities, small towns, and rural villages. Popular divination faced centuries of elite condemnation, as the Lutheran clergy attempted to suppress these practices in the wake of the Reformation and learned elites sought to eradicate them during the Enlightenment. As Coy finds, both of these reform efforts failed, and divination remained a prominent feature of rural life in Thuringia until well into the nineteenth century. The century after 1550 saw intense confessional conflict accompanied by widespread censure and disciplinary measures, with prominent Lutheran theologians and demonologists preaching that divination was a demonic threat to the Christian community and that soothsayers deserved the death penalty. Rulers, however, refused to treat divination as a capital crime, and the populace continued to embrace it alongside official Christianity in troubled times. The Devil’s Art highlights the limits of Reformation-era disciplinary efforts and demonstrates the extent to which reformers’ efforts to inculcate new cultural norms relied upon the support of secular authorities and the acquiescence of parishioners. Negotiation, accommodation, and local resistance blunted official reform efforts and ensured that occult activities persisted and even flourished in Germany into the modern era, surviving Reformation-era preaching and Enlightenment-era ridicule alike. Studies in Early Modern German History
The Devil Is in the Details an Illustration Collection of Fiendish Art of Satan Through the Ages
Author: E. Vernor
language: en
Publisher: Createspace Independent Publishing Platform
Release Date: 2016-01-11
The devil hasn't always been depicted in art as we know him today. From the Middle Ages through to the Renaissance and into modern times Satan has had many different incarnations in art. Scholars say that no artistic representation of Satan was produced before the sixth century., and was only made official by the Ecumenical Council of 553. From then on, however, and throughout the Middle Ages, Satan's imagery was everywhere, in manuscripts, in paintings, sculptures and architecture. As Christianity grew and spread, so did belief in the Devil, who was blamed for illness, accidents, immoral behavior, crop failures and natural disasters. He was also said to be the leader of heretics enemies of the Church. This beautifully illustrated book by E.R. Vernor details the history of artwork of the Devil with over two hundred woodcuts, drawings, and paintings and postcards from the earliest days of printing to the 1900s.