Art Of The Devil
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Art of the Devil
Author: Arturo Graf
language: en
Publisher: Parkstone International
Release Date: 2023-12-28
“The Devil holds the strings which move us!” (Charles Baudelaire, The Flowers of Evil, 1857.) Satan, Beelzebub, Lucifer... the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness. For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one’s contemporaries. In the same way, literature dealing with the Devil has long offered inspiration to artists wishing to exorcise evil through images, especially the works of Dante and Goethe. In the 19th century, romanticism, attracted by the mysterious and expressive potential of the theme, continued to glorify the malevolent. Auguste Rodin’s The Gates of Hell, the monumental, tormented work of a lifetime, perfectly illustrates this passion for evil, but also reveals the reason for this fascination. Indeed, what could be more captivating for a man than to test his mastery by evoking the beauty of the ugly and the diabolic?
The Devil's Art
Author: Jason P. Coy
language: en
Publisher: University of Virginia Press
Release Date: 2020-06-04
In early modern Germany, soothsayers known as wise women and men roamed the countryside. Fixtures of village life, they identified thieves and witches, read palms, and cast horoscopes. German villagers regularly consulted these fortune-tellers and practiced divination in their everyday lives. Jason Phillip Coy brings their enchanted world to life by examining theological discourse alongside archival records of prosecution for popular divination in Thuringia, a diverse region in central Germany divided into a patchwork of princely territories, imperial cities, small towns, and rural villages. Popular divination faced centuries of elite condemnation, as the Lutheran clergy attempted to suppress these practices in the wake of the Reformation and learned elites sought to eradicate them during the Enlightenment. As Coy finds, both of these reform efforts failed, and divination remained a prominent feature of rural life in Thuringia until well into the nineteenth century. The century after 1550 saw intense confessional conflict accompanied by widespread censure and disciplinary measures, with prominent Lutheran theologians and demonologists preaching that divination was a demonic threat to the Christian community and that soothsayers deserved the death penalty. Rulers, however, refused to treat divination as a capital crime, and the populace continued to embrace it alongside official Christianity in troubled times. The Devil’s Art highlights the limits of Reformation-era disciplinary efforts and demonstrates the extent to which reformers’ efforts to inculcate new cultural norms relied upon the support of secular authorities and the acquiescence of parishioners. Negotiation, accommodation, and local resistance blunted official reform efforts and ensured that occult activities persisted and even flourished in Germany into the modern era, surviving Reformation-era preaching and Enlightenment-era ridicule alike. Studies in Early Modern German History
The Devil
The first complete illustrated book on the devil in art history. The Art of the Devil is a beautiful book showcasing the past and present portrayal of the Evil One in Western and Eastern art. This richly illustrated account looks at the history, symbols, and manifestations of the devil in the collective imagination. Here are artistic masterpieces, engravings, ancient documents, books, posters, postcards, tarots, album covers, comics, objects and plenty of oddities related to the world of demons, the occult, and evil. See the devil in works by Francisco Goya, Jackson Pollock, Giotto, Hokusai, Marc Chagall, Keith Haring, Albrecht Dürer, James Ensor, Pablo Picasso, Matthias Grünewald, Caravaggio, Gustave Doré, William Blake, Hieronymus Bosch, Paul C zanne, Salvador Dal , Max Ernst, Alexander McQueen, Pieter Paul Rubens, Niki de Saint Phalle, Cindy Sherman, Pierre et Gilles, Gary Baseman, and Matt Groening.