Information About Jejuri Book In Marathi Language

Jejuri

Bombay Modern

Anjali Nerlekar's Bombay Modern is a close reading of Arun Kolatkar's canonical poetic works that relocates the genre of poetry to the center of both Indian literary modernist studies and postcolonial Indian studies. Nerlekar shows how a bilingual, materialist reading of Kolatkar's texts uncovers a uniquely resistant sense of the "local" that defies the monolinguistic cultural pressures of the post-1960 years and straddles the boundaries of English and Marathi writing. Bombay Modern uncovers an alternative and provincial modernism through poetry, a genre that is marginal to postcolonial studies, and through bilingual scholarship across English and Marathi texts, a methodology that is currently peripheral at best to both modernist studies and postcolonial literary criticism in India. Eschewing any attempt to define an overarching or universal modernism, Bombay Modern delimits its sphere of study to "Bombay" and to the "post-1960" (the sathottari period) in an attempt to examine at close range the specific way in which this poetry redeployed the regional, the national, and the international to create a very tangible yet transient local.

The Experience of Hinduism

This book presents multi-faceted images of religious experience in the Marathi-speaking region of India. In addition to Irawati Karve's classic, "On the Road," about her pilgrimage to Pandharpur, there are three essays by Karve that appear in English for the first time. Here is possession by gods and ghosts, an actual sermon by an inspired saint in the traditional bhajan style, and an autobiographical account of the religious nationalism of the militant R.S.S. These are engaging, true-to-life accounts of the lives of individual Hindus. Essays and imaginative literature, a poem, and a short story interplay the ideas, concepts, personalities, practices, rituals, and deities of Hinduism in a surprisingly coherent manner.