Immediacy And Its Limits
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Transgression and Its Limits
Author: Matt Foley
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2020-05-15
Transgression and Its Limits is a long overdue collection that reads the complex relationship between artistic transgressions and the limits of law and the subject. In mid-twentieth century theoretical understandings of transgressive culture, it is the existence of the limit that guarantees the possibility and success of the transgression. While the limit calls for obedience, it also tempts with the possibility of violation. To breach the limits of the acceptable is to simultaneously define them. However, this classical understanding of transgression may no longer apply under the conditions of post-modernity, late-capitalism, and the simulated or empty transgressions that this period of the simulacra encourages. Context becomes paramount in reading the myriad forms of transgression that encompass politics, aesthetics and the ethics of the obscene; while a range of theoretical perspectives are employed in order to elucidate the economies at work underneath the seemingly transgressive act. The essays selected include explorations of transgression in cinema, photography, art, law, music, philosophy, technology, and both classical and contemporary literature and drama. Professor Fred Botting’s (co-author of Bataille and The Tarantinian Ethics) analysis of transgression from Bataille, to Baudrillard and Ballard compliments the collection’s concerns about the status of transgression. Aside from fourteen critical essays on topics such as early-modern drama, George Bataille, J. G. Ballard, the female necrophilic, “torture-porn” cinema, and the art of Robert Mapplethorpe and Salvador Dali, there is also a new discussion of transgression between novelist Iain Banks and Professor Roderick Watson (Emeritus at the University of Stirling). With its focus on the paradoxical nature of the impulse to transgress, as well at its wide-ranging historical and artistic concerns, Transgression and Its Limits is a landmark book in a rapidly developing scholarly field.
Hegel, Deleuze, and the Critique of Representation
Author: Henry Somers-Hall
language: en
Publisher: State University of New York Press
Release Date: 2012-02-14
Hegel, Deleuze, and the Critique of Representation provides a critical account of the key connections between twentieth-century French philosopher Gilles Deleuze and nineteenth-century German idealist G. W. F. Hegel. While Hegel has been recognized as one of the key targets of Deleuze's philosophical writing, Henry Somers-Hall shows how Deleuze's antipathy to Hegel has its roots in a problem the two thinkers both try to address: getting beyond a philosophy of judgment and the restrictions of Kant's transcendental idealism. By tracing the development of their attempts to address this problem, Somers-Hall offers an interpretation of the sweep of nineteenth- and twentieth-century philosophy, providing a series of analyses of key moments in the history of thought, including the logics of Aristotle and Russell, Kant's own philosophy of judgment, and the philosophy of Bergson. He also develops a novel interpretation of Deleuze's philosophy of difference, and situates his philosophy in relation to the broader post-Kantian tradition. In addition to Deleuze's relation to Hegel, the book makes important contributions to the study of Deleuze's philosophy of mathematics, as well as to the study of several underappreciated areas of Hegel's own philosophy.
The Temporality of Taste in Eighteenth-Century British Writing
Author: James Noggle
language: en
Publisher: Oxford University Press, USA
Release Date: 2012-02-09
This book discusses the disruptive power of the concept of taste in the works of a number of important British writers, including poets such as Alexander Pope and Joseph Warton, philosophical historians such as David Hume and Anna Barbauld, and novelists such as Frances Burney and William Beckford.