Hyperboles In To Kill A Mockingbird
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To Kill a Mockingbird (MAXNotes Literature Guides)
Author: Anita Price Davis
language: en
Publisher: Research & Education Assoc.
Release Date: 2013-01-01
REA's MAXnotes for Harper Lee's To Kill a Mockingbird MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.
The Poetic of Reason: Introducing Rational Poetic Experimentalism
This book makes the attempt to wed reason and the poetic. The tool for this attempt is Rational Poetic Experimentalism (RPE), which is introduced and explored in this book. According to RPE, it makes sense to look for poetic elements in human reality (including reason), outside of the realm of imaginative literature. Provocatively, RPE contends that philosophy’s search for truth has not been a great success so far. So, why not experiment with philosophical concepts and look for thought-provoking ideas by employing the principles of RPE, instead of fruitlessly searching for truths using conventional methods?
St. Simons Memoir
Author: Eugenia Price
language: en
Publisher: Turner Publishing Company
Release Date: 2021-04-27
Her joyous remembrance of her first decade on an enchanted island And of those cherished friends who inspired her best-selling trilogy, Lighthouse, New Moon Rising, and Beloved Invader. After only a few golden hours on Georgia’s St. Simons Island, Eugenia Price longed to make it her home. Even though she loved her old town house in Chicago, and her busy writing and lecturing schedule, the shadow-streaked, light-filled place had cast its spell and would not let her go. The reader, too, will feel the Island’s magic as Genie describes her odyssey with her friend Joyce Blackburn from the urban North to Southern small-town community life and peace. With deep affection and humor she shares her many friendships—with “the first six,” the elderly folk who gave her their love, their stories, and their memories so that she could write her novels of St. Simons; with her beloved editor, Tay Hohoff, who encouraged and goaded her; and with all the other people who helped with her writing and with the building of her Island home in the midst of the “dear dark woods.” Although she had been uncertain at first of her welcome to St. Simons, she later experienced the rare privilege of having the Island name a day in her honor. These intimate pages are also filled with Genie’s quiet faith in God and her eternal gratitude for His grace in sending her to St. Simons. She calls her book a memoir, but it is more than that. It is a thanksgiving celebration of life and of its surprising goodness even in the midst of sorrow and loss. So that she can exclaim to Joyce, “How could life be better than it is right now?”