Hip Hop Culture In College Students Lives


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Hip-Hop Culture in College Students’ Lives


Hip-Hop Culture in College Students’ Lives

Author: Emery Petchauer

language: en

Publisher: Routledge

Release Date: 2012-03-22


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Hip-Hop Culture in College Students' Lives explores how diverse groups of young adults embody hip-hop culture and actively connect it to their lives on college campuses.

The Bloomsbury Handbook of Hip Hop Pedagogy


The Bloomsbury Handbook of Hip Hop Pedagogy

Author: Lauren Leigh Kelly

language: en

Publisher: Bloomsbury Publishing

Release Date: 2024-01-11


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The Bloomsbury Handbook of Hip Hop Pedagogy is the first reference work to cover the theory, history, research methodologies, and practice of Hip Hop pedagogy. Including 20 chapters from activist-oriented and community engaged scholars, the handbook provides perspectives and studies from across the world, including Brazil, the Caribbean, Scandinavia, and the USA. Organized into four topical sections focusing on the history and cultural roots of Hip Hop; theories and research methods in Hip Hop pedagogy; and Hip Hop pedagogy in practice, the handbook offers theoretical, analytical, and pedagogical insights emerging across sociology, literacy, school counselling and youth organizing. The chapters reflect the impact of critical Hip Hop pedagogies and Hip Hop-based research for educators and scholars interested in radical, transformative approaches to education. Ultimately, the many voices included in the handbook show that Hip Hop pedagogy is a humanizing and emancipatory approach which is redefining the purposes and practices of education.

The Palgrave Handbook of Critical Music Industry Studies


The Palgrave Handbook of Critical Music Industry Studies

Author: David Arditi

language: en

Publisher: Springer Nature

Release Date: 2024-09-28


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The Handbook of Critical Music Industry Studies provides students and researchers with the means to think about how the performance, recording, and publishing of music could be if we do things differently. People are hungry for a more equitable music performance and recording system. The industry exudes patriarchy, white supremacy, cultural imperialism, ableism, and worker exploitation. In the context of gendered (e.g., #MeToo and #TimesUp) and racialized (e.g., Black Lives Matter) inequity, rampant precarity and casualization, and modes of musical dissemination that are changing faster than policymakers and regulatory bodies can keep up with, the timing for assembling such an interdisciplinary collection could not be more appropriate. Essays in this handbook will tackle power structures at root in the music industry and the academic study of the field. Topics covered include the politics of representation and power in the global music industries, the labor of music, music as media (including data and algorithmic culture), and copyright/intellectual property, among others. Chapter 35 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.