Gateway To The Heavens How Geometric Shapes Patterns And Symbols Form Our Reality
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Gateway to The Heavens
Author: Karen L. French
language: en
Publisher: Watkins Media Limited
Release Date: 2014-05-20
Simple geometric shapes and symbols combine to make the universal, powerful, sacred model Karen French calls Gateway to the Heavens. In this book, French explains the meaning and purpose of these shapes, how they mold our reality and perception of it and how they have a direct bearing on what you are and why you are here. These shapes and symbols contain messages that have been consistently represented in religion, philosophy, mythology, mysticism, the arts and sciences. Their messages are built into our genetic make-up and we recogniZe them instinctively. The book is divided up into 3 parts. Part 1 covers the properties of the basic geometric shapes and numbers. Part 2 describes how these, in turn, form layers of construction, creating principals that are fundamental to the purpose of the universe; the spiral sustains reality, the cross highlighting the central point of existence and the heart is where we weigh up our choices. Part 3 describes how we can use these principals to create positive change in our lives by helping us to expand our awareness of reality.
Gateway to the Heavens: How Geometric Shapes, Patterns and Symbols Form Our Reality
Author: Karen L. French
language: en
Publisher: Duncan Baird Publishers
Release Date: 2014-05-10
Simple geometric shapes and symbols combine to make the universal, powerful and sacred model Karen French calls the Gateway to the Heavens. In this book, French explains the meaning and purpose of these shapes, how they mould our reality and perception of it, and how they have a direct bearing on what you are and why you are here. These shapes and symbols contain messages that have been consistently represented in religion, philosophy, mythology, mysticism, the arts and sciences. Their messages are built into our genetic make-up and we recognise them instinctively. The book is divided up into three parts. Part 1 covers the properties of the basic geometric shapes and numbers. Part 2 describes how these in turn form layers of construction, creating principals that are fundamental to the purpose of the universe. The spiral sustains reality, the cross highlighting the central point of existence and the Heart where we weigh up our choices. Part 3 describes how we can use these principles to create positive change in our lives by helping us to expand our awareness of reality.
Dougong
Author: Alexandra Harrer
language: en
Publisher: University of Hawaii Press
Release Date: 2025-07-31
This is the first English-language study devoted to dougong, the block-bracket cluster widely regarded as the epitome of traditional Chinese architecture. For almost two millennia, dougong have been central to the multipartite frame structure of wooden buildings, connecting columns with beams, supporting projecting eaves, and providing resistance to earthquake damage. They have enabled and required builders to ensure both the functionality and the moral dimension of their designs through the thoughtful use of appropriately graded timbers and corresponding methods of modular design that determine the size and quality of a building in keeping with the social standing of its owner. Richly illustrated with original high-quality photographs and drawings, this book explores the engaging story of dougong as technical artifacts that embody Chinese culture. Alexandra Harrer delves into the previously unresolved relationship between standard dougong and their regional and local variations in the rhetoric of Chinese construction, offering an alternative to sociopolitical caste as a means of interpreting these differences. She untangles the lengthy selection process and trial-and-error development of the block-bracket cluster before codification to reveal how design idiosyncrasies derived from an unlikely combination of legal codes and ethical imperatives. For example, dougong with arms projecting at a 45- or 60-degree angle from the wall plane—long dismissed as unorthodox—are shown to be a subtle design expression that yields to authority while it seeks to exploit archi-cultural standards. Harrer argues that the ethical dimensions of graphic shapes and the culturally charged space that dougong occupy are key to understanding this creative process.