Found Object In Textile Art
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Found Object in Textile Art
Textile artists have always used found objects, both for decoration and to imbue their work with meaning. Cas Holmes is renowned for her use of ‘the found’, and her many-layered, atmospheric pieces have been shown around the world. The practice differs from recycling in that the objects often remain ‘themselves’ when they are incorporated into the work, rather than being transformed into something else and their original appearance being obliterated. The work is often conceived and built around the found object. The definition ‘found object’ can include a wide range of objects, from natural materials such as driftwood and leaves to old bits of machinery and vintage fabrics. Mundane objects such as CD cases can be used to create stunning pieces of art, or more sentimental items such as old jewellery can lend deep meaning to a work. The book covers: •How to find objects: for example in the home, walking the streets, travel souvenirs •Types of found object: including natural objects, man-made items, printed ephemera •Using found objects: using little jewels to decorate work, making unusual frames, creating work within boxes •Creating surfaces with found objects: printing, layering, fusing, cutting and stitch This book contains a wealth of techniques and inspiration for incorporating found objects into your textile work.
Natural Processes in Textile Art
More and more textile artists are using natural processes in their work, from dyeing with rust to working with found and scavenged items, and this book is the first to bring these increasingly popular techniques together. It promotes a way of working creatively with what is close at hand, whether gathered on walks by the seashore or collected in your garden, and working in tune with natural processes, bringing the rhythms and unpredictability of nature into your work. Examples of this type of working include rust dyeing embroidered fabric to give it a natural patina, dyeing with garden fruits or seaweed, weaving with pieces of beachcombed fibre and printing with found objects. In all of this work nature is directly harnessed to make its mark. The book is illustrated with the finest examples of contemporary embroidery and textile-art work using nature, by artists whose practice is tied up with their experience of and respect for the natural environment, often capturing a very strong sense of place and a feeling of calmness and contemplation.
Interpreting Themes in Textile Art
An inspirational and practical book on how to interpret and collaborate on different themes in textile art. With foreword by Marie-Therese Wisniowski, who runs Art Quill Studio. This stunning collection showcases the work produced by renowned textile artists Els van Baarle and Cherilyn Martin, and explores how – even when working from the same starting point – textile art can produce a myriad interpretations of shape, form, colour and technique. Els and Cherilyn have chosen six themes for their own starting point, each full of inspiration and artistic potential: Memory (both personal experiences and historical events); Graven (cemetery) images and idols; Books as objects; Pompeii and archaeological excavations; Walls; and Everyday items. For each of the themes the authors have provided a personal interpretation of the work and a description of the techniques they used, along with step-by-step instructions. In the chapter on memory, for example, Cherilyn demonstrates how old fabrics and textiles (which themselves have a unique history all of their own) can be recycled to incorporate your own stitched drawings. Alternatively, Els explores Procion Dye techniques to create colourful and striking fabrics that bear no resemblance to Els work on the same theme. The trend for collaborative textile art is increasing in popularity. This fascinating guide provides a rich seam of inspiration from two renowned artists, exploring how to get the most from your collaborations and produce beautiful and unique work.