Interpreting Themes In Textile Art
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Interpreting Themes in Textile Art
An inspirational and practical book on how to interpret and collaborate on different themes in textile art. With foreword by Marie-Therese Wisniowski, who runs Art Quill Studio. This stunning collection showcases the work produced by renowned textile artists Els van Baarle and Cherilyn Martin, and explores how – even when working from the same starting point – textile art can produce a myriad interpretations of shape, form, colour and technique. Els and Cherilyn have chosen six themes for their own starting point, each full of inspiration and artistic potential: Memory (both personal experiences and historical events); Graven (cemetery) images and idols; Books as objects; Pompeii and archaeological excavations; Walls; and Everyday items. For each of the themes the authors have provided a personal interpretation of the work and a description of the techniques they used, along with step-by-step instructions. In the chapter on memory, for example, Cherilyn demonstrates how old fabrics and textiles (which themselves have a unique history all of their own) can be recycled to incorporate your own stitched drawings. Alternatively, Els explores Procion Dye techniques to create colourful and striking fabrics that bear no resemblance to Els work on the same theme. The trend for collaborative textile art is increasing in popularity. This fascinating guide provides a rich seam of inspiration from two renowned artists, exploring how to get the most from your collaborations and produce beautiful and unique work.
Interpreting the Evolution of Atayal Tribal Textile Patterns
This book elucidates findings from an anthropological study that analyzes the patterns of Taiwan's Atayal tribe’s fabric in their ethnic dress codes. By analyzing the changes and development of the patterns over time, the authors draw fascinating conclusions regarding the geographical migration and intermarriage practices between indigenous minority groups in Taiwan’s history. The book brings new insights within East Asian linguistic anthropology in theorizing about the origins of legends and broader patterns of ethnic migration, integrating the characteristics and relationships among Atayal fabrics, and interpreting these relationships in connection with the flow of sub-ethnic groups. In doing so, the book provides rich empirical evidence for anthropologists and migration scholars to better understand the movement of ethnic groups in Taiwan, while also establishing a model for how studying textile design can be employed to establish such linkages. The book shows that the composition and changes of ethnic minority patterns have their own internal logic and causes. By studying this, the authors demonstrate how such work might translate intangible and tangible culture into explicit and shareable knowledge and provide a compass for other anthropologists and researchers in the fields of visual and linguistic anthropology, migration studies, and ethnic and indigenous cultures, in Asia and beyond.
Arts-Based Methods for Decolonising Participatory Research
In an effort to challenge the ways in which colonial power relations and Eurocentric knowledges are reproduced in participatory research, this book explores whether and how it is possible to use arts-based methods for creating more horizontal and democratic research practices. In discussing both the transformative potential and limitations of arts-based methods, the book asks: What can arts-based methods contribute to decolonising participatory research and its processes and practices? The book takes part in ongoing debates related to the need to decolonise research, and investigates practical contributions of arts-based methods in the practice-led research domain. Further, it discusses the role of artistic research in depth, locating it in a decolonising context. The book will be of interest to scholars working in art history, design, fine arts, service design, social sciences and development studies. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.