Fiddleback Chasuble
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Clerical Vestments
Author: Sarah Bailey
language: en
Publisher: Bloomsbury Publishing
Release Date: 2013-06-10
The churches of Britain contain a remarkable heritage of exquisitely embroidered vestments, and cathedrals in particular hold some of the most beautiful textiles ever produced in Europe. The history of these priestly garments and how their use developed in Britain and Europe is fascinating. This book outlines the tradition and mysticism associated with them and the role they still play in the 'theatre' of church, and shows how colour and ornament are used in the symbolism of the Christian faith. It explores the history of vestment production up to the present day, covering the practicalities of design, the sourcing of fabrics and the embroiderers themselves.
Celebrating the Eucharist
In this first new Eucharistic customary in nearly 20 years, Patrick Malloy, an Episcopal priest and liturgical scholar, presents a clear, illustrated guide for the presider and other leaders of the liturgy, contemporary in approach but based on ancient and classic principles of celebration. The 1979 Book of Common Prayer, like its predecessors, is long on telling the Church what to say, and short on telling it what to do. This leaves those who "choreograph" Prayer Book liturgies with a complex task and a powerful influence over the faith of the Church. The author begins with a concise theology of the liturgy that underpins all of his specific directives in the book. Contents include: Theological and liturgical principles; Liturgical ministry and liturgical ministers; Liturgical space; Vesture, vessels, and other liturgical objects; The liturgical year; The shape of the liturgy; The sung liturgy and singing during the liturgy; The order of the Eucharist (the "heart" of the book); and The celebration of Baptism during the Eucharist.
Clothing the Past: Surviving Garments from Early Medieval to Early Modern Western Europe
An astonishing number of medieval garments survive, more-or-less complete. Here the authors present 100 items, ranging from homely to princely. The book’s wide-ranging introduction discusses the circumstances in which garments have survived to the present; sets and collections; constructional and decorative techniques; iconography; inscriptions on garments; style and fashion. Detailed descriptions and discussions explain technique and ornament, investigate alleged associations with famous people (many of them spurious) and demonstrate, even when there are no known associations, how a garment may reveal its own biography: a story that can include repair, remaking, recycling; burial, resurrection and veneration; accidental loss or deliberate deposition. The authors both have many publications in the field of medieval studies, including previous collaborations on medieval textiles such as Medieval Textiles of the British Isles AD 450-1100: an Annotated Bibliography (2007), the Encyclopedia of Medieval Dress and Textiles of the British Isles (2012) and online bibliographies.