Fictional Man
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Fictional Man
"What's it like, not being real?" In LA, where today's star is tomorrow's busboy, discarded "Fictionals"-characters spun into flesh-and-blood by technology-are everywhere. Screenwriter Niles Golan's therapist is a Fictional. So is his best friend. So (maybe) is the woman in the bar he can't stop staring at. It's getting so you can't tell who's real and who's not. Niles isn't completely sure how real he is...
The Buried Man
Author: Stephen Coan
language: en
Publisher: Oxford University Press
Release Date: 2025-06-15
H. Rider Haggard (1856-1925), author of King Solomon's Mines, Allan Quatermain and She, was no stranger to the continent where his bestsellers were set. He lived in southern Africa from 1875 to 1881, a period that witnessed Britain's attempted confederation of the sub-continent, the Anglo-Zulu War of 1879, and the final subjugation of its indigenous peoples. In this new biography, the South African aspect of Haggard's life is explored in hitherto unrecorded detail. The success of King Solomon's Mines saw him relinquish a legal career to write full-time; he also became a respected agricultural expert and social commentator, receiving a knighthood for his public service. Haggard wrote over seventy books, fiction and non-fiction. His African adventure stories feature strong black characters, and the majority of his novels assertive female ones, not least She. Haggard's unwitting expression of the Victorian sub-conscious attracted the interest of both Freud and Jung. Haunted by a lost love, the tragic death of his only son and frequent bouts of depression, he endlessly probed the conundrums of life and death. Containing much new material, this biography explores Haggard's personal and public life to resurrect the writer whom Graham Greene, an admirer, called 'the buried man'.
Fictional Objects
Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language.