Fictional Objects
Download Fictional Objects PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Fictional Objects book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Fictional Objects
Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language.
The Logic of Intentional Objects
Author: Jacek Pasniczek
language: en
Publisher: Springer Science & Business Media
Release Date: 2013-03-14
Intentionality is one of the most frequently discussed topics in contemporary phenomenology and analytic philosophy. This book investigates intentionality from the point of view of intentional objects. According to the classical approach to this concept, whatever can be consciously experienced is regarded as an intentional object. Thus, not only ordinary existing individuals but also various kinds of non-existents and non-individuals are considered as intentional (including such bizarre entities as quantifier objects: `some dog', `every dog'). Alexius Meinong, an Austrian philosopher, is particularly well-known as the `inventor' of an abundant ontology of objects among which even incomplete and impossible ones, like `the round square', find their place. Drawing inspirations from Meinong's ideas, the author develops a simple logic of intentional objects, M-logic. M-logic closely resembles classical first-order logic and, as opposed to the formally complicated contemporary theories of non-existent objects, it is much more friendly in apprehending and applications. However, despite this resemblance, the ontological content of M-logic far exceeds that of classical logic. In this book formal investigations are intertwined with philosophical analyses. On the one hand, M-logic is used as a tool for investigating formal features of intentional objects. On the other hand, the study of intentionality phenomena suggests further ways of extending and modifying M-logic. Audience: The book is addressed to logicians, cognitive scientists, philosophers of language and metaphysics with either a phenomenological or an analytic background.
How Ficta Follow Fiction
Author: Alberto Voltolini
language: en
Publisher: Springer Science & Business Media
Release Date: 2006-11-22
This book is devoted to fictional entities or, to be more precise, fictional entities as they emerge from the literary process of storytelling. They encompass the great immortal figures in human literature—Don Quixote, Faust, Sherlock Holmes and so on—as well as the protagonists of single novels such as Anna Karenina, Emma Woodhouse and Emma Bovary and even the unknown characters in the oral tradition of storytelling developed by small communities of people for their own entertainment. This is p- sumably how Achilles, Penelope and Ulysses originated. We must also include among these figures mythological characters such as Apollo, Odin and Zeus, regardless of the fact that they were originally thought to be supernatural beings rather than fictional individuals. The subject of this book is not new, which may make it seem less appe- ing to a prospective reader—just one more book on fictional entities. Yet I would argue that this apparent drawback is fundamental to the purpose of the book, which is to present a syncretistic doctrine of fictional entities. In other words, it is a theory which firmly acknowledges that the various other theories already developed on this subject have great merits. Their main flaw, however, is not that they are wrong but, rather, that they are inc- plete. Accordingly, they are not to be put to one side; instead, they need to be integrated into a single theory that aims both to maintain their positive results and to overcome their defects.