Duet 6 1


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Marc Blitzstein


Marc Blitzstein

Author: Leonard Lehrman

language: en

Publisher: Bloomsbury Publishing USA

Release Date: 2005-09-30


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Marc Blitzstein was one of the 20th century's most important American composers, lyricists, and critics, often credited with having virtually invented opera in the American vernacular. Called the father of American opera in the vernacular by luminaries Aaron Copland and Leonard Bernstein, Blitzstein was a masterful pianist, coach, and accompanist, though, ironically, he made more money on the lyrics to one song—Mack the Knife—than on everything else he ever did. Blitzstein's brilliant career was cut short in 1964 when he died at the age of 58. This book catalogs Blitzstein's own writings and writings about him, followed by detailed listings (chronological, alphabetical, and genre), analysis, a comprehensive performance history, and summaries of all known critiques of his 128 original musical works and 18 texts set to the music of others. Shown in detail are the ways in which Blitzstein took music from his earlier works and developed it in later works, a process that Lehrman utilized in completing (with Bernstein's and the Estate's approval) 20 Blitzstein works for performance, including The Cradle Will Rock, I've Got the Tune, No for an Answer, Idiots First, and Sacco and Vanzetti, which Blitzstein believed would be his magnum opus. The book provides a unique and full perspective on the works of one of America's greatest composers—one who deserves to be better known.

Belwin 21st Century Band Method, Level 1


Belwin 21st Century Band Method, Level 1

Author: Jack Bullock

language: en

Publisher: Alfred Music

Release Date: 1999-11-13


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Level One of this method is comprised of books for all the primary band instruments plus electric bass and guitar. Motivational aspects are emphasized, such as using frequent duets and rounds, popular tunes as well as classical, traditional, folk, and other styles, and "Songs Just for the Fun of It," which appear at strategic learning intervals. Most of all, the Level One book can be completed in just one year, which encourages students to want to learn more. Lessons are carefully sequenced, and include in-depth rhythm study, consistent reinforcement of topics newly presented, theory exercises, and points on individual instrument needs. The conductor's score includes lesson plans and teaching suggestions correlated with the National Standards for Arts Education. Three complete concerts are included in Level One.