Marc Blitzstein
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Communists in Closets
Communists in Closets: Queering the History 1930s–1990s explores the history of gay, lesbian, and non-heterosexual people in the Communist Party in the United States. The Communist Party banned lesbian, gay, bisexual, and transgender (LGBT) people from membership beginning in 1938 when it cast them off as "degenerates." It persisted in this policy until 1991. During this 60-year ban, gays and lesbians who did join the Communist Party were deeply closeted within it, as well as in their public lives as both queer and Communist. By the late 1930s, the Communist Party had a membership approaching 100,000 and tens of thousands more people moved in its orbit through the Popular Front against fascism, anti-racist organizing, especially in the south, and its widely read cultural magazine, The New Masses. Based on a decade of archival research, correspondence, and interviews, Bettina Aptheker explores this history, also pulling from her own experience as a closeted lesbian in the Communist Party in the 1960s and ‘70s. Ironically, and in spite of this homophobia, individual Communists laid some of the political and theoretical foundations for lesbian and gay liberation and women’s liberation, and contributed significantly to peace, social justice, civil rights, and Black and Latinx liberation movements. This book will be of interest to students, scholars, and general readers in political history, gender studies, and the history of sexuality.
The Cultural Front
As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.
Power, Prose, and Purse
Author: Alison LaCroix
language: en
Publisher: Oxford University Press
Release Date: 2019-05-15
Power, Prose, and Purse is an edited collection of essays that draw connections between literature, economics and law. The essays discuss novels that explore the time period between the Industrial Revolution and the Great Depression and analyze the insights that novelists may offer to law and economics, while noting the tensions among these paradigms.