Drowning Bubbles Sound Effect
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The Drowning Tree
Artfully imagined, intricately detailed, eerily poignant: these are the outstanding features of Carol Goodman’s literary thrillers. She is part novelist, part craftsman—and The Drowning Tree is her newest masterpiece. Juno McKay intended to avoid the nearby campus of her alma mater during her fifteenth reunion weekend, but she just can’t turn down the chance to see her longtime friend, Christine Webb, speak at the Penrose College library. Though Juno cringes at the inevitable talk of the pregnancy that kept her from graduating, and of her husband, Neil Buchwald, who ended up in a mental hospital only two years after their wedding, Juno endures the gossip for her friend’s sake. Christine’s lecture sends shockwaves through the rapt crowd when she reveals little-known details about the lives of two sisters, Eugenie and Clare—members of the powerful and influential family whose name the college bears. Christine’s revelation throws shadows of betrayal, lust, and insanity onto the family’s distinguished facade. But after the lecture, Christine seems distant, uneasy, and sad. The next day, she disappears. Juno immediately suspects a connection to her friend’s shocking speech. Although painfully reminded of her own experience with Neil’s mental illness, Juno nevertheless peels away the layers of secrets and madness that surround the Penrose dynasty. She fears that Christine discovered something damning about them, perhaps even something worth killing for. And Juno is determined to find it—for herself, for her friend, and for her long-lost husband.
The Observer Effect
Time calls the shots. Unwitting time traveler Joseph Bridgeman is adjusting to life in the present and wondering if his traveling days are behind him. But when he’s contacted by the Continuum, an organized group of time travelers based in the future, he learns his career is just getting started. The Continuum needs Joe’s help. One of their operatives is missing, last seen in nineteenth-century Paris, and they believe Joe’s ability to see the past might be the only way to find him. Teamed up with Gabrielle Green, an acerbic, wisecracking traveler, Joe heads back to 1873 on his most dangerous mission yet, one that will take him deep inside a burning opera house. But how will Joe succeed when his new companion clearly hates his guts, the missing traveler disappears the second anyone sets eyes on him, and a familiar foe threatens to trap them in the past for good? With help on hand from his best friend, Vinny, and mysterious clues hidden in his sister Amy’s paintings, Joe must hone his gift, develop new skills, and figure out a way to complete his mission before the blazing inferno comes crashing down around them all.
Shakespeare and YouTube
Author: Stephen O'Neill
language: en
Publisher: Bloomsbury Publishing
Release Date: 2014-04-24
The video-sharing platform YouTube signals exciting opportunities and challenges for Shakespeare studies. As patron, distributor and archive, YouTube occasions new forms of user-generated Shakespeares, yet a reduced Bard too, subject to the distractions of the contemporary networked mediascape. This book identifies the genres of YouTube Shakespeare, interpreting them through theories of remediation and media convergence and as indices of Shakespeare's shifting cultural meanings. Exploring the intersection of YouTube's participatory culture – its invitation to 'Broadcast Yourself' – with its corporate logic, the book argues that YouTube Shakespeare is a site of productive tension between new forms of self-expression and the homogenizing effects of mass culture. Stephen O'Neill unfolds the range of YouTube's Bardic productions to elaborate on their potential as teaching and learning resources. The book importantly argues for a critical media literacy, one that attends to identity constructions and to the politics of race and gender as they emerge through Shakespeare's new media forms. Shakespeare and YouTube will be of interest to students and scholars of Shakespearean drama, poetry and adaptations, as well as to new media studies.