Dr Jekyll And Mr Hyde 1920
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The History of British Literature on Film, 1895-2015
Author: Greg M. Colón Semenza
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2015-05-21
From The Death of Nancy Sykes (1897) to The Hobbit: The Battle of the Five Armies (2014) and beyond, cinematic adaptations of British literature participate in a complex and fascinating history. The History of British Literature on Film, 1895-2015 is the only comprehensive narration of cinema's 100-year-old love affair with British literature. Unlike previous studies of literature and film, which tend to privilege particular authors such as Shakespeare and Jane Austen, or particular texts such as Frankenstein, or particular literary periods such as Medieval, this volume considers the multiple functions of filmed British literature as a cinematic subject in its own right-one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In what ways has the British literary canon authorized and influenced the history and aesthetics of film, and in what ways has filmed British literature both affirmed and challenged the very idea of literary canonicity? Seeking to answer these and other key questions, this indispensable study shows how these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.
Strange Case of Dr Jekyll and Mr Hyde
The lawyer Mr Utterson is deeply disturbed by Dr Jekyll's new friend, Mr Hyde, to whom Dr Jekyll has bequeathed everything he owns. Rumour has it that Mr Hyde trampled a child in the street. Mr Utterson begins to have nightmares about this unusually ugly and unsympathetic man. Meanwhile, Dr Jekyll and Mr Hyde seem inseparable. Robert Louis Stevenson's novella »Strange Case of Dr Jekyll & Mr Hyde« is unique among classics, with a title that has become a fixed expression in many languages. ROBERT LOUIS STEVENSON [1850–1894] was a Scottish novelist, poet, essayist, and travel writer. He is among the 30 most translated authors of all time and has been praised by Marcel Proust, Jorge Luis Borges, Vladimir Nabokov, Ernest Hemingway, and Bertolt Brecht. Treasure Island is his most famous work, along with the gothic sci-fi novella Strange Case of Dr Jekyll & Mr Hyde.
The Literary Monster on Film
Many monsters in Victorian British novels were intimately connected with the protagonists, and representative of both the personal failings of a character and the failings of the society in which he or she lived. By contrast, more recent film adaptations of these novels depict the creatures as arbitrarily engaging in senseless violence, and suggest a modern fear of the uncontrollable. This work analyzes the dichotomy through examinations of Shelley's Frankenstein, Stoker's Dracula, H. Rider Haggard's She, Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Wells's The Island of Dr. Moreau, and consideration of the 20th century film adaptations of the works.