Don T You Dare Meaning In Hindi
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Chutnefying English
Contributed articles."Something has happened to English; and something has happened to Hindi. These two languages, widely spoken across India, need to be understood anew through their 'hybridization' into Hinglish -- a mixture of Hindi and English that has begun to make itself heard everywhere -- from daily conversation to news, films, advertisements and blogs. How did this popular form of urban communication evolve? Is this language the new and trendy idiom of a youthful population no longer competent in either English or Hindi? Or is it an Indianized version of a once-colonial language, claiming its legitimate place alongside India's many bhashas? Chutnefying English: The Phenomenon of Hinglish, the first book on the subject, takes a serious look at this widespread phenomenon of our times which has pervaded every aspect of our daily lives. It addresses the questions that many speakers of both languages ask time and again: should Hinglish be spurned as the bastard offspring of its two parent languages, or welcomed as the natural and legitimate result of their long-term cohabitation? Leading scholars from literature, cultural studies, translation, cinema and new media come together to offer a collection of essays that is refreshingly new in thought and content."--Page 2 of cover.
Subaltern Narratives in Fiji Hindi Literature
Subaltern Narratives in Fiji Hindi Literature is the first comprehensive study of fiction written in Fiji Hindi that moves beyond the hegemonic and colonially-implicated perspectives that have necessarily informed top-down historical accounts. Mishra makes this case using two extraordinary novels Ḍaukā Purān [‘A Subaltern Tale’] (2001]) and Fiji Maa [‘Mother of a Thousand’] (2018) by the Fiji Indian writer Subramani. They are massive novels (respectively 500 and 1,000 pages long) written in the devanāgarī (Sanskrit) script. They are examples of subaltern writing that do not exist, as a legitimation of the subaltern voice, anywhere else in the world. The novels constitute the silent underside of world literature, whose canon they silently challenge. For postcolonial, diaspora and subaltern scholars, they are defining (indeed definitive) texts without which their theories remain incomplete. Theories require mastery of primary texts and these subaltern novels, ‘heroic’ compositions as they are in the vernacular, offer a challenge to the theorist.
UsTaad
When some couplets written on a piece of paper are making singers famous, here is a story of a Shayar who writes those couplets. From Ghalib to Shiv Kumar Batalvi, poets got more and more famous only after their deaths. Their journeys were speculated by readers, their writings became a part of the school curriculum. UsTaad is the journey of today’s poet. His name sounded arrogant while his Shayari was painful. He was no hero who had a happy ending. He didn’t preach. He didn’t motivate. Was UsTaad an alter ego, a survival mechanism, a defense mechanism or was he just a today’s poet? He suffered and his family suffered but his pen never stopped. UsTaad just dared to write it all.