David Mitchell History
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Unruly
INSTANT #1 SUNDAY TIMES BESTSELLER • A rollicking history of England’s kings and queens from Arthur to Elizabeth I, a tale of power, glory, and excessive beheadings by award-winning British actor and comedian David Mitchell “Clever, amusing, gloriously bizarre and razor sharp. Mitchell [is] a funny man and a skilled historian.”―The Times Think you know the kings and queens of England? Think again. In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits. Taking us back to King Arthur (spoiler: he didn’t exist), Mitchell tells the founding story of post-Roman England up to the reign of Elizabeth I (spoiler: she dies). It’s a tale of narcissists, inadequate self-control, middle-management insurrection, uncivil wars, and a few Cnuts, as the English evolved from having their crops stolen by the thug with the largest armed gang to bowing and paying taxes to a divinely anointed king. How this happened, who it happened to, and why the hell it matters are all questions that Mitchell answers with brilliance, wit, and the full erudition of a man who once studied history—and won’t let it off the hook for the mess it’s made. A funny book that takes history seriously, Unruly is for anyone who has ever wondered how the British monarchy came to be—and who is to blame.
David Mitchell
The outcome of the first international conference on David Mitchell's writing, this collection of critical essays, focuses on his first three novels - Ghostwritten (1999), number9dream (2001) and Cloud Atlas (2004) - to provide a sustained analysis of Mitchell's complex narrative techniques and the literary, political and cultural implications of his early work. The essays cover topics ranging from narrative structure, genre and the Bildungsroman to representations of Japan, postmodernism, the construction of identity, utopia, science fiction and postcolonialism. Contents Foreword David Mitchell 1. Introducing David Mitchell's Universe: A Twenty-First Century House of Fiction Sarah Dillon 2. The Novels in Nine Parts Peter Childs and James Green 3. 'Or something like that': Coming of Age in number9dream Kathryn Simpson 4. Remediations of 'Japan' in number9dream Baryon Tensor Posadas 5. The Stories We Tell: Discursive Identity Through Narrative Form in Cloud Atlas Courtney Hopf 6. Cloud Atlas: From Postmodernity to the Posthuman Hélène Machinal 7. Cloud Atlas and If on a winter's night a traveller: Fragmentation and Integrity in the Postmodern Novel Will McMorran 8. 'Strange Transactions': Utopia, Transmigration and Time in Ghostwritten and Cloud Atlas Caroline Edwards 9. Speculative Fiction as Postcolonial: Critique in Ghostwritten and Cloud Atlas Nicholas Dunlop 10. 'Moonlight bright as a UFO abduction': Science Fiction, Present-Future Alienation and Cognitive Mapping William Stephenson Notes on Contributors Index About the Editor Sarah Dillon is Lecturer in Contemporary Fiction in the School of English at the University of St Andrews. She is author of The Palimpsest: Literature, Criticism, Theory (2007) and has published essays on Jacques Derrida, Elizabeth Bowen, H.D., Michel Faber, Maggie Gee and David Mitchell.
The Poetics of Empowerment in David Mitchell’s Novels
Author: Eva-Maria Windberger
language: en
Publisher: Taylor & Francis
Release Date: 2023-07-17
The Poetics of Empowerment in David Mitchell’s Novels combines the investigation of David Mitchell’s novels with the introduction of a new critical concept to literary studies: empowerment. Aiming to situate and establish empowerment firmly within the context of literary studies, it offers the first framework and definition for reading fictional texts with the lens of empowerment and applies it in the analysis of discourse, the fictional characters, and the role of the reader in Mitchell’s novels. Drawing on narratological analysis, cognitive approaches to literature, and reader-response theory, it features close readings of Cloud Atlas (2004), Black Swan Green (2006), and The Thousand Autumns of Jacob de Zoet (2010) and dissects the author’s strategies, poetics, and agenda of empowering fiction. This book argues for an inherent, indissoluble connection between empowerment and the telling of stories and demonstrates how literary studies can benefit from a serious engagement with empowerment—and how such an engagement can stimulate new responses to fiction and put literary studies in conversation with other disciplines.