Copie De La Lettre De La Compagnie Ecrite A M Morel Directeur Des Fermes A Lille Portant Ordre D Exiger Des Huissiers Dont On Emploie Le Ministere Pour Les Significations Judiciaires Des Quittances Motivees Pour Leurs Salaires

Copie de la lettre de la Compagnie écrite à M. Morel, directeur des fermes (à Lille, portant ordre d'exiger des huissiers dont on emploie le ministère pour les significations judiciaires, des quittances motivées pour leurs salaires.).

Orestes

Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."

The Dutch Republic in the Seventeenth Century

The Dutch are 'the envy of some, the fear of others, and the wonder of all their neighbours'. So wrote the English ambassador to the Dutch Republic, Sir William Temple, in 1673. Maarten Prak offers a lively and innovative history of the Dutch Golden Age, charting its political, social, economic and cultural history through chapters that range from the introduction of the tulip to the experiences of immigrants and Jews in Dutch society, the paintings of Vermeer and Rembrandt, and the ideas of Spinoza. He places the Dutch 'miracle' in a European context, examining the Golden Age both as the product of its own past and as the harbinger of a more modern, industrialised and enlightened society. A fascinating and accessible study, this 2005 book will prove invaluable reading to anyone interested in Dutch history.