Chopin Polonaise In C Sharp Minor
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Nocturnes and Polonaises
Author: Frédéric Chopin
language: en
Publisher: Courier Corporation
Release Date: 2013-02-26
Features 20 Nocturnes: Op. 9, 15, 27, 32, 37, 48, 55, 62, 72, and more. Also includes 11 Polonaises: Op. 26, 40, 44, 53, 61, 71, and posthumous Polonaise in G-sharp Minor. Mikuli Edition. Commentary.
Chopin in Paris
Chopin in Paris introduces the most important musical and literary figures of Fryderyk Chopin's day in a glittering story of the Romantic era. During Chopin's eighteen years in Paris, lasting nearly half his short life, he shone at the center of the immensely talented artists who were defining their time -- Hugo, Balzac, Stendhal, Delacroix, Liszt, Berlioz, and, of course, George Sand, a rebel feminist writer who became Chopin's lover and protector. Tad Szulc, the author of Fidel and Pope John Paul II, approaches his subject with imagination and insight, drawing extensively on diaries, memoirs, correspondence, and the composer's own journal, portions of which appear here for the first time in English. He uses contemporary sources to chronicle Chopin's meteoric rise in his native Poland, an ascent that had brought him to play before the reigning Russian grand duke at the age of eight. He left his homeland when he was eighteen, just before Warsaw's patriotic uprising was crushed by the tsar's armies. Carrying the memories of Poland and its folk music that would later surface in his polonaises and mazurkas, Chopin traveled to Vienna. There he established his reputation in the most demanding city of Europe. But Chopin soon left for Paris, where his extraordinary creative powers would come to fruition amid the revolutions roiling much of Europe. He quickly gained fame and a circle of powerful friends and acquaintances ranging from Rothschild, the banker, to Karl Marx. Distinguished by his fastidious dress and the wracking cough that would cut short his life, Chopin spent his days composing and giving piano lessons to a select group of students. His evenings were spent at the keyboard, playing for his friends. It was at one of these Chopin gatherings that he met George Sand, nine years his senior. Through their long and often stormy relationship, Chopin enjoyed his richest creative period. As she wrote dozens of novels, he composed furiously -- both were compulsive creators. After their affair unraveled, Chopin became the protégé of Jane Stirling, a wealthy Scotswoman, who paraded him in his final year across England and Scotland to play for the aristocracy and even Queen Victoria. In 1849, at the age of thirty-nine, Chopin succumbed to the tuberculosis that had plagued him from childhood. Chopin in Paris is an illuminating biography of a tragic figure who was one of the most important composers of all time. Szulc brings to life the complex, contradictory genius whose works will live forever. It is compelling reading about an exciting epoch of European history, culture, and music -- and about one of the great love dramas of the nineteenth century.
Mezzotints in modern music Brahms, Tschaïkowsky, Chopin, Richard Strauss, Liszt and Wagner
In "Mezzotints in Modern Music," James Huneker embarks on a rich exploration of six towering figures in the world of classical music'ÄîBrahms, Tscha√Økowsky, Chopin, Richard Strauss, Liszt, and Wagner. Through a series of insightful essays, Huneker employs a vivid and impressionistic literary style that mirrors the emotional landscapes of the composers' works. His pen becomes an instrument that captures the nuances of sound, offering readers a unique blend of biographical context and critical analysis against the backdrop of a rapidly evolving musical landscape that was shaped by the artistic stretches of the late 19th and early 20th centuries. James Huneker, an American music critic, novelist, and pianist, draws upon his extensive knowledge and personal experiences with the music he discusses. His erudition is underscored by his engagement with the avant-garde of his time, allowing him to critique and celebrate compositions in a manner that appeals to both laymen and seasoned musicians. Huneker's passion for music is palpable throughout these essays, which strive to position these composers within the broader cultural movements that influenced their creations. This compelling volume is a must-read for anyone drawn to the interplay of music and literature. Huneker not only illuminates the artistry of these composers but also invites readers to immerse themselves more deeply in the emotional depths of their music. Whether you are a music aficionado or a casual reader, "Mezzotints in Modern Music" will enhance your appreciation for the art and spirit of classical compositions.