Avant Guards Vol 2
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Avant-Guards Vol. 2
The Avant-Guards have been on a roll, but when they hit the end of their winning-streak, will these new friendships survive? As The Avant-Guards struggle to move forward, they’ll soon learn just what it means to truly be a team - on the court and, most importantly, off the court. The critically-acclaimed team of writer Carly Usdin (Heavy Vinyl) and artist Noah Hayes (Wet Hot American Summer) deliver the next chapter of the series where every shot counts when you take them with your friends. Collects issues #5-8.
The Avant-Guards Vol. 1
As a transfer student to the Georgia O’Keeffe College for Arts and Subtle Dramatics, former sports star Charlie is struggling to find her classes, her dorm, and her place amongst a student body full of artists who seem to know exactly where they’re going. When the school’s barely-a-basketball-team unexpectedly attempts to recruit her, Charlie’s adamant that she’s left that life behind...until she’s won over by the charming team captain, Liv, and the ragtag crew she’s managed to assemble. And while Charlie may have left the cut-throat world of competitive basketball in the dust, sinking these hoops may be exactly what she needs to find the person she truly wants to be. From Carly Usdin, the writer behind the hit series Heavy Vinyl, and artist Noah Hayes (Wet Hot American Summer) comes an ensemble comedy series that understands that it’s the person you are off the court that matters most. Collects The Avant-Guards issues #1-4.
Source
Author: Larry Austin
language: en
Publisher: Univ of California Press
Release Date: 2011-07-06
The journal Source: Music of the Avant-garde was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, Source documented crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music.